A Quote by Penn Jillette

Everybody wants clean, safe energy. Some people think nuclear is the way to go. Some people think coal is the way to go. Some people think wind is the way to go. And there's always balances on that.
I think a portfolio standard should go beyond wind, solar and geothermal energy to include renewable energy like hydropower and clean alternatives such as coal gasification, clean coal, nuclear energy and, finally, credits for achieving new levels of efficiency and conservation.
Sometimes people go off in a slightly different direction of wanting to be different, of wanting to be special, of wanting to be more, and I think that those people are often - not always, but often - genuinely different in some way. Perhaps their gender orientation is not acceptable or popular, not the norm. Or, their physical design is literally, in some way, setting them apart. Or, in many cases, they feel the burden of their ordinariness so dreadfully that they strive to find some way of being unique. I think that can be a very positive thing, but it also can be negative, destructive.
I think life is always dangerous. Some people get afraid of it. Some people don't go forward. But some people, if they want to achieve their goal, they have to go. They have to move.
My job, as an actor, is to entertain people. My contribution to society is to be a respite from everyday life. People go home and watch television or they go to the movies, and they get to escape their reality. But if I can do entertainment that also maybe can educate people, educate myself, move people's hearts and minds, in some way, and bring light to some injustice, that's when entertainment is at its best. And if somebody wants to get more involved in a socially active way, that's when you've done the thing that I've always wanted to be a part of.
I think life is always dangerous. Some people get afraid of it. Some people don't go forward. But some people, if they want to achieve their goal, they have to go. They have to move... We have seen the barbaric situation of the 21st century in Swat. So why should I be afraid now?
My life has been charmed in the sense that I've met some extraordinary people. But at the end of the day, when you go home and you go to bed, and if you're on your own, you never think of yourself in that way. I'm sure not even people like Angelina Jolie think like that.
Some go to church to take a walk; some go there to laugh and talk. Some go there to meet a friend; some go there their time to spend. Some go there to meet a lover; some go there a fault to cover. Some go there for speculation; some go there for observation. Some go there to doze and nod; the wise go there to worship God.
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
Everybody has anger or regret in them one way or another. They all try different things to get it out. Some people go to psychiatrists. Some paint pictures. Some people talk it out.
If Gone With the Wind has a theme it is that of survival. What makes some people come through catastrophes and others, apparently just as able, strong, and brave, go under? It happens in every upheaval. Some people survive; others don't. What qualities are in those who fight their way through triumphantly that are lacking in those that go under? I only know that survivors used to call that quality 'gumption.' So I wrote about people who had gumption and people who didn't.
People have to go through what they have to go through. I think in some cases you sort of bring things on yourself and that's what you want it to be than that's the way it is.
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
I do not want to ask people to go consume something unless I think it is important in some way.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
Yes, there's something dangerous about turning people into token social activists. I was thinking about this recently with our pop-culture feminism, when feminism is such a buzzword in the media now. We're covering it in a way that we haven't before, but also in a way that's way more surface level. And while I think that there's some danger in that, I also think it's a great gateway for some people.
You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, "Oh, just go do that thing you used to do before." But it just doesn't work like that. It's a lot more mysterious or slippery.
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