A Quote by Penn Jillette

'Psycho' is fascinating philosophically, because the point of 'Psycho' is that everything that's bad happens because of love. — © Penn Jillette
'Psycho' is fascinating philosophically, because the point of 'Psycho' is that everything that's bad happens because of love.
I do all kinds of roles - nerd, psycho, nerd, psycho, nerd, psycho - and occasionally someone kind of normal. It's weird, when I lived in Austin I was always cast as pretty normal people. But when I moved to Los Angeles I was immediately branded a psycho
I do all kinds of roles - nerd, psycho, nerd, psycho, nerd, psycho - and occasionally someone kind of normal. It's weird, when I lived in Austin I was always cast as pretty normal people. But when I moved to Los Angeles I was immediately branded a psycho.
My dream role would probably be a psycho killer, because the whole thing I love about movies is that you get to do things you could never do in real life, and that would be my way of vicariously experiencing being a psycho killer. Also, it's incredibly romantic.
It can be a bit of a hindrance when you walk into a restaurant for a quiet meal and one or two launch into 'psycho, psycho'!
Maybe I'm a bit of a psycho-but I'd rather be psycho than boring.
The other day I started to take a course in psycho-ceramics. What is psycho-ceramics? It's the study of crackpots.
I like psycho chicks... Yeah, you hook up with a psycho, you're gonna learn something. First thing you learn is how to sleep with one eye open.
When 'Psycho' came out back in 1960, it was seen as an abomination and as this really gory thing. We all watch 'Psycho' today, of course, and think it's so tame since there's no blood or any real gore in it. But for the standards of the day when it was released, it was extreme.
The division of the psychical into what is conscious and what is unconscious is the fundamental premise of psycho-analysis; and it alone makes it possible for psycho-analysis to understand the pathological processes in mental life, which are as common as they are important, and to find a place for them in the framework of science.
I did a thing for Progress for a tournament and I started using 'Psycho Killer' by Talking Heads as my entrance music. That became my thing and Psycho Killer was my pseudo personality and in one year it just took off.
There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.
Everybody has felt a little sweet but psycho, and I'm sure everybody has been called sweet but psycho.
We all know ashley, dont we? your best friend ASHLEY!! you know Ashley Called Me a PSYCHO.. DO U THINK IM A PSYCHO NOW ASHLEY... HUH?!
When you take on Hitchcock you know it's gonna provoke some sort of controversy, because there were so many people talking about the book [Stephen Rebello's Alfred Hitchcock and the Making of Psycho] and wanting it to be the film about the making of this movie [Psycho]. But that's been done. That's been done in the book, and Stephen Rebello himself was like, "I want a movie which is an entertainment for the audience." So we made the conscious decision.
I was just kidding, shuck-face," Minho said. "Let's all go over there. She could have an army of psycho girl ninjas hiding in that shack of hers." "Psycho girl ninjas?" Newt repeated, his voice showing he was surprised, if not annoyed, by Minho's additude.
As far as I know, Vera Miles had a terrible time with Hitchcock, and she wanted to get out of the contract. He didn't let her. She did 'Psycho,' and I believe, if you look at 'Psycho,' there isn't one close up of Vera, not one. After that, she would never even speak about him to anyone.
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