A Quote by Penn Jillette

Everybody is designing magic iPhone apps that do things that are really, really beautiful, but a really important thing about magic is that the gimmick has to be ugly. — © Penn Jillette
Everybody is designing magic iPhone apps that do things that are really, really beautiful, but a really important thing about magic is that the gimmick has to be ugly.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
There is a magic factor that is sometimes on a movie set, that is a really, really beautiful thing that cannot be compared to anything else, if you are somebody that is really passionate about acting or directing or the world of movies.
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
My experience in work, even going to work with Scorsese, is that people always think there's some magic trick. There's no magic trick. The people who are really good at what they do do simple things really, really well.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.
To make magic credible on screen is always very difficult. The story is the most important thing. That is what should win. If sacrifices or compromises are made, it's usually for story. Story in magic is very, very important to me. That's what I've really championed through my career.
I have always believed in magic. I used to run into the woods as a little kid looking for witches. But I'm not superstitious, because I m not afraid of it. I see it as something really beautiful, and I wouldn't want to live in a world without magic.
There really is a certain magic that happens when you're in the studio. And it's important in life to feel that magic: to feel that there is something greater moving all this along.
When you're rehearsing, you get really inspired in the beginning, but then it becomes repetitious and you lose the magic. How do you get the magic again? The magic happens when you're not pushing it.
'Game of Thrones' isn't all about magic - it's way more about political scheming and family tensions - but to be a part of this exclusive magic club is actually really cool.
Stairs," Valkyrie said, disappointed. "Not just ordinary stairs," Skulduggery told her as he led the way down. "Magic stairs." "Really?" "Oh, yes." She followed him into the darkness. "How are they magic?" "They just are." "In what way?" "In a magicky way." She glared at the back of his head. "They aren't magic at all, are they?" "Not really.
The appearance of things changes according to the emotions; and thus we see magic and beauty in them, while the magic and beauty are really in ourselves.
Magic is antiphysics, so it can't really exist. But is shares one thing with science. I can explain the principle behind a good science experiment in 15 seconds; the same way with magic.
I had a point of view, which was different. I looked at magic as theater, as storytelling, and I tried to have an approach that was different from what they were doing. "How can I move people and really get them to dream with a card trick, with coin magic, or even a piece of stage magic?"
If you could ever do a project that really has magic in it, and justifiable magic, you should do it.
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