A Quote by Penn Jillette

Juggling is very, very straightforward; very, very black and white; you're manipulating objects, not people. And that's always appealed to me. — © Penn Jillette
Juggling is very, very straightforward; very, very black and white; you're manipulating objects, not people. And that's always appealed to me.
Some girls like to say one thing and mean another. And me being who I am, I'm very straightforward. Everything is very black and white for me. I don't really like playing mind games.
I have a very extreme state of mind. Things are very black or very white.
My father was very political. But he told me, "Be very careful when you get into politics, because there's no black and white. There's an in-between in everything. So look at that side, don't take one point, because then you are negating half of the other people. Try to find the logic on a problem, something that you believe, and take the position that you believe, but be very careful about it." So I was very well trained in that aspect.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
[At DuPont,] I was very fortunate that I worked under men who were very much interested in making discoveries and inventions. They were very much interested in what they were doing, and they left me alone. And I was able to experiment on my own, and I found this very stimulating. It appealed to the creative person in me.
It's really weird because my house is very ornate, but my writing lair is very, very blank. It's white, the furniture is white. It gives me nothing to look at, so I just have to concentrate!
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
The true story is that black people need to tell their history. Very few films are made by black people about slavery. That itself is a crime because slavery is a very important historical event that has held our people hostage. Forget white people's role in it. In the end what's important is black people remain and live with the scars and psychological issues.
Seen from a monocultural perspective, manipulating objects is very, very clever. But seen from a multidimensional perspective, from a perspective of diversity, this is extremely crude because what we have lost out on is a cow that serves as a source of sustainable energy.
If Theresa May is a white woman who is very well-educated and very wealthy, she's more likely to act in the interests of, say, a very wealthy white man than she is a working class poor black or immigrant woman.
To me, Punisher is pretty black and white. He's very simple, and at the same time, he's very complex. I don't know why I think I understand the guy, but I feel I do.
We think the Puritans always dressed in black and white, which they didn't. They loved very bright colors. And there were other differences in perceptions that gave one a very different view of them.
I'm not insane. This is very simple, very straightforward. Provided he doesn't kill me, its foolproof.
But you see, our society is still trapped in this binary, black/white logic and that has had some very positive implications for our generation. It's had some very negative ones as well and one of the negative ones is that it creates enormous identity problems for people who have one black ancestor and all white ancestors for example.
Talking about racism with white people can make white people very uncomfortable, Black people very uncomfortable.
I don't view the fans in the way that most performers do. As a mass of people who have paid money, I know what they want. It's a very, very, very, very, very low common denominator.
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