A Quote by Penn Jillette

I've been fired from a situational comedy with a script they wrote specifically for me because of my voice. — © Penn Jillette
I've been fired from a situational comedy with a script they wrote specifically for me because of my voice.
I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten.
Instead of letting anxiety run you, try voicing it. Voice it in your comedy. Voice it in a script. Just voice it, and it'll help you release it.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
My preference is for people who can do sketch comedy or situational comedy, where it's not a joke, but it's telling a story.
I had a moment where I wrote a movie script, and it was my first movie job, and I was very excited to do it, and my only goal was really not to get fired off of it.
I wrote a script - a script about a guy working on the automobile assembly line; I never could get money for that. I did a pilot about minimum wage workers for HBO that didn't get picked up; they thought it was depressing, even though it was a comedy.
To have a songwriter that wrote so specifically what I felt to be true... I've never been much of an actor either. If something is real for me, then I can do it.
I wrote the column. I - you know, - the column simply said that [Clay] Felker is destroying this paper. And I heard that he was about ready to fire me, but two other people on The Voice interceded and, fortunately, he had a very short attention span, so I wasn't fired.
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
I have always liked comedy but with 'Yamla Pagla Deewana,' things were really different. I realized that situational comedy is the new trend, where you don't need to indulge in buffoonery to make people laugh.
I started writing when I was 26, so I don't even know what year that was. I wrote a script for me to star in. A friend of mine, who was an actor that I would compete against a lot, had written a script and was taking all these meetings. He just kept pushing me and was like, "You got to do it. You're going to love it!" He's a very successful screenwriter now. His name is Michael Bacall and he wrote 21 Jump Street, Project X, and Scott Pilgrim vs. the World. So it was a few factors.
I got fired from a movie that ended up being called 'Windows,' which Gordon Willis, the cinematographer, directed. I got fired because he refused to cast Meryl Streep, who at the time was at Yale. I told him I thought he was an idiot, and he fired me.
The projects I have done on television, they're sitcoms, situational comedies. The problem is, maybe because they go on every day, Monday through Friday, one-hour format, maybe that's why they're labeled as a telenovela. But technically speaking, they're sitcoms because they're situational comedies.
I would love to do a biopic or a situational comedy.
I want to try something on situational comedy.
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