A Quote by Penn Jillette
From 1985 to 1994, I lived in Manhattan in a big old loft right off Times Square. I could walk to work, which was in a couple of Broadway theaters, to Howard Stern's studio, and to 30 Rock for 'Letterman' and 'SNL.' Even in New York, walking to work is homey and folksy, like living in a small town.
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When I was on Broadway when I was little, I remember always driving through Times Square with my dad to the theater. Now when I go back, you can't even drive on Broadway in the 40s. New Times Square is too touristy to me.
The very first time I came to The States I came right to New York and I remember walking around Times Square, I saw a couple of shows and I thought, 'I'd love to come here and do this.'
If I have open time, and I'm in Manhattan, I'll just walk to wherever I'm going, even if I could get there faster on the subway. I just love walking the streets of New York.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
I'm from New York, so I'm a big Howard Stern fan.
I thought, 'I'll come back to New York. I worked for the 'Aspen Times' when I lived in Aspen. I'll work for the 'New York Times' when I live in New York.' It didn't work out that way.
I think I can work anywhere, but you don't get the same kind of inspiration everywhere. New York theater has become a big inspiration for me. I only started writing for the stage myself because I like to see the good, mostly off-Broadway plays in New York.
I'm in the film industry, and I very seldom go to the theater now. It could be work, not being in New York, that sort thing - because in New York, you do go to theaters; you can walk to a theater and then walk to a restaurant. But in places you have to drive out to the cineplex to see a movie, it's starting not to be worth it anymore. It's like the days when you went to get a book at the public library. You don't have to do that anymore. You just go on your iPad and all of a sudden you're reading The Duchess of Malfi.
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
I've never lived in New York. I've never done a play off or on Broadway, so I think that's in my future. Have that experience - get a little apartment in the city and grow a beard and walk around with earbuds in my ears, and a stocking cap and a big giant scarf.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
It seems to me that you are better off, as a writer and as an American, in a small town than you'd be in New York. I thoroughly detest New York, though I have to go there very often.... Have you ever noticed that no American writer of any consequence lives in Manhattan? Dreiser tried it (after many years in the Bronx), but finally moved to California.
By 1949, there was no more work for me out there, and I went to New York in 1950 and just did whatever I could. Mainly television. Some Broadway. A lot of dinner theater work, which is not a very satisfactory medium.
New York was the glamorous town that you only see now in old movies and on Broadway stages. The sky was lit up with dancing neon signs. It was safe to walk out in the streets.
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