A Quote by Penny Johnson Jerald
Working on 'The Larry Sanders Show,' everything was there on the paper and in the room and within the four walls when all of us were together. It was just all there.
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Most of us got jobs right after 'The Larry Sanders Show' because of 'The Larry Sanders Show.' I know that for a fact for myself.
At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."
Boy, does that give you street cred for years after, if you tell people you were on 'The Larry Sanders Show!'
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
The Larry Sanders Show ?hanged my life. I am so thankful that - I mean, go figure. Most people are lucky to get one good series, but I got two ground-breakers. I just knew when I read that "Hey Now" script that something was afoot. Those were seven of the greatest years of my life. I learned so much, and it affirmed everything I thought comedy was. It was really a tremendous experience.
I was working with Peter Tolan, who was my writing partner on those two [Rescue Me and The Job], and he did The Larry Sanders Show with Garry Shandling, and he always said that the second season is better because you know the actors.
So many people say they went to school on 'The Larry Sanders Show.'
The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
I love working together with Dean McDermott. We love - we actually are a couple that do everything together even when we're not working. So for us, this is the best venue for our relationship because we get to spend all our time together. And I think for other couples, you know, perhaps they didn't spend all their time together and then all of a sudden they were stuck together all the time, and they couldn't make it work. But for us it works.
You said that you wanted to put us upon a reservation, to build us houses and make us medicine lodges. I was born where there were no enclosures and everything drew a free breath. I want to die there and not within walls.
I remember, when Paul Collingwood first came into the dressing room, we did everything together. We practised together, trained together, had dinner together; we batted together and did well in games together - we were thick as thieves. When he got established, he just binned me.
I would describe our band "Paper Walls' growth as the natural evolution for anyone the age of 25 to 27, but with "Paper Walls' we focused on the best of what Yellowcard had to offer from our previous work. Meaning we took the energy we had from Ocean Avenue and blended that with that sharp rock edge and all the different sonic evolutions we have on "Lights and Sounds', and we basically mashed them together. So what we have on "Paper Walls' is basically the finest Yellowcard sounds we have to offer.
I've been in some wonderful shows, but nothing holds a candle to 'The Larry Sanders Show.'
I think I take away a naturalistic approach to acting from doing 'The Larry Sanders Show,' a way to put aside acting and just exist in the world of what's being handed to me.
That's what we were exploring on 'Larry Sanders' - the human qualities that have brought us to where we are now in the world: the addiction to needing more and wanting more and talking more. We were examining the labels put on success - is it successful to be on TV every day, to be famous, to have a paycheck?
'The Larry Sanders Show,' it's actually about love, which would sound like a paradox at first. But if that love didn't exist, the darker attitudes would not play. You would have a one-dimensional, cynical show, which I don't think the show was.
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