A Quote by Penny Johnson Jerald

I've been in some wonderful shows, but nothing holds a candle to 'The Larry Sanders Show.' — © Penny Johnson Jerald
I've been in some wonderful shows, but nothing holds a candle to 'The Larry Sanders Show.'
Most of us got jobs right after 'The Larry Sanders Show' because of 'The Larry Sanders Show.' I know that for a fact for myself.
At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."
You look at shows like The Simpsons or Larry Sanders or Curb Your Enthusiasm or Seinfeld, they're really sophisticated shows that we all love back home.
I've been in three sort of... I mean, I'd say they're groundbreaking series, if only because of the creators. One was 'Max Headroom', another was 'The Larry Sanders Show', and the third was 'Arrested Development'.
So many people say they went to school on 'The Larry Sanders Show.'
Boy, does that give you street cred for years after, if you tell people you were on 'The Larry Sanders Show!'
I'm proud of Larry Sanders and proud of every single person who went on that journey. It's a very special show to me, and I've learned a lot of lessons from it. I need to find something where I can learn some more lessons, and then I'll do that project.
Working on 'The Larry Sanders Show,' everything was there on the paper and in the room and within the four walls when all of us were together. It was just all there.
'The Larry Sanders Show,' it's actually about love, which would sound like a paradox at first. But if that love didn't exist, the darker attitudes would not play. You would have a one-dimensional, cynical show, which I don't think the show was.
When you're doing a show on stage, and they show you a red light, that means you have 5 minutes left. At some clubs, they hold a candle up in the back. That's the worst method. You're up here, and then you see a floating candle. "Oh, no! This place is haunted!" I can't be funny when I'm frightened.
Actually, my favourite roles have been in theatre, but on TV, my faves were Slap Maxwell and Larry Sanders.
Wisdom holds a candle to experience, but you've got to take the candle and walk alone.
The only reason I'm ever in character as 'Larry The Cable Guy' is because that's what I'm hired to do. In my movies, obviously they hired 'Larry The Cable Guy' to be 'Larry The Cable Guy.' When I do my shows, I'm 'Larry The Cable Guy.' When I do Jay Leno, it's: 'Please welcome 'Larry The Cable Guy.'
I think I take away a naturalistic approach to acting from doing 'The Larry Sanders Show,' a way to put aside acting and just exist in the world of what's being handed to me.
I was working with Peter Tolan, who was my writing partner on those two [Rescue Me and The Job], and he did The Larry Sanders Show with Garry Shandling, and he always said that the second season is better because you know the actors.
The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
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