A Quote by Penny Johnson Jerald
With 'Deep Space Nine,' I learned that when you get a script, you should give honor to the writer. On 'Larry Sanders,' even on '24,' you could make up stuff.
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Most of us got jobs right after 'The Larry Sanders Show' because of 'The Larry Sanders Show.' I know that for a fact for myself.
The Larry Sanders Show ?hanged my life. I am so thankful that - I mean, go figure. Most people are lucky to get one good series, but I got two ground-breakers. I just knew when I read that "Hey Now" script that something was afoot. Those were seven of the greatest years of my life. I learned so much, and it affirmed everything I thought comedy was. It was really a tremendous experience.
At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."
I have learned the hard way to mind my business, without judging who people are and what they do. I am more troubled by the lack of space being provided for the truth to unfold. Humans cannot seem to wait for or honor the truth. Instead, we make it up based on who we believe people should or should not be.
I'm Larry Sanders. I'm a person. I'm a father. I'm an artist. I'm a writer. I'm a painter. I'm a musician. And sometimes I play basketball.
At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun.
You know, sometimes people never get to learn how successful they could have been because they give up too easily. If I've learned one thing in all my years in the business, it's that often things don't work out the way you want at first. But that doesn't mean you should give up.
What I learned is that I should probably read a screenplay every once in a while before I said 'yes'. You could make bad film out of a good script, but you're never going to make a good film out of a bad script.
Once rehearsals are done the writer really doesn't have a function on the set. If the script is stabilized, then the writer becomes a celebrity tourist visiting the set, trying not to get in the way. It's very good for the ego, to go visit a film set if you are the writer, because they give you a special chair, and tell you where you can sit to watch the monitor. They make you feel special, but at the same time, they make it perfectly plain that you are irrelevant!
When I'm working with another writer, I tend to make a lot of effort. When I collaborate with a writer, I'm not interested in credit, but I'm feeding him stuff all the time that I feel is important to shaping the script.
Before, I was writing a script to make a movie. At a certain point, I became A Writer in Film and Television. So I got TV deals to write stuff, film deals to write stuff. But it's dangerous. I got into the WGA, and I became kind of, you know, a slave! They just pay you to write a script, and it's hard to make the movies.
Boy, does that give you street cred for years after, if you tell people you were on 'The Larry Sanders Show!'
I wrote a script - a script about a guy working on the automobile assembly line; I never could get money for that. I did a pilot about minimum wage workers for HBO that didn't get picked up; they thought it was depressing, even though it was a comedy.
One can say Senator Sanders should have more explicit antiracist policy within his racial justice platform, not just more general stuff, and still cast a vote for Senator Sanders and still feel that Senator Sanders is the best option that we have in the race.
You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.
I think a Moon base is not necessary to get to Mars, but I think it will be helpful. It would give you a chance to develop and mature some systems; long duration, deep space stuff; and you're close enough to get some help, via radio from Earth.
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