A Quote by Penny Jordan

Writing for Mills and Boon taught me a lot of discipline. You have to produce books in a short time scale and four a year, and it teaches you a lot. — © Penny Jordan
Writing for Mills and Boon taught me a lot of discipline. You have to produce books in a short time scale and four a year, and it teaches you a lot.
I feel like Mills and Boon saved my life. It was a way of not living. I read a lot of other books as well, but they were definitely the best for just switching my brain off, not having to deal with reality.
I would say a lot of it came from a lot of different drills that Coach Fleck put me through. That's my man. He taught me a lot, a lot, a lot about receiver play. And he taught me a lot about catching the ball and just hand placement.
Wintertime for me is a time when I do a lot of my writing in the studio. It's a time I enjoy. And it's very reflective and a very calming time of the year. Throughout the year I gather a lot of musical inspirations, and this is where I bring them to the studio and see what will evolve musically.
The whole idea is that the combination of tight activity and slack activity allows me to be both productive and creative at the same time. In the four years that I am actually working in a proper job, I am earning money and I'm also writing with a lot of discipline on the side.
I know when I have kids, when I'm older, I'm going to encourage them to play sports because I think it teaches you a lot. It teaches you discipline, teamwork, and that there's really no 'I' in team.
The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature.
No strict schedule, but I write nearly daily in my journal. Sometimes I go back and pull out things to give to my characters and my settings in books that I write. But the books themselves are not scheduled. I work on a book when it comes to me, usually about one a year. I spend a lot of time working on it in my head. But getting it published is another matter. So, I have a lot of unpublished manuscripts.
I'm not a great shopper but I do buy a lot of books. I'm the publishers' friend - I buy a hundred books a year and read four.
Well, I've learned a lot from Bill Belichick. I've said time and time again, before I got to New England, I thought I knew a lot about football. But I think he taught me a lot from A to Z. I still carry it to this day.
I read a lot of scripts, and there's a lot of good writing and a lot of OK writing and a lot of crappy writing. And even with the really good writing, it doesn't necessarily speak to me.
I don't read a lot of inspirational books for life. But for writing, I think the two best books are The War of Art and William Zinsser's On Writing Well. I read a lot of classics.
In my case, the long gaps between my books have got quite a lot to do with lack of confidence. A lot of the time when I'm not writing I start thinking I can't do it.
For me, a lot of Discipline was very personal writing, like writing through and working out being inside this gendered body and also the compulsions of the body, the muting of the mind as driven by the body. My father had died some years ago so he haunts the book too, just floats through it ghost-like. But, the writing of every book is different for me. They are so like living creatures, these books, so I don't know what's carried over into the writing of the next things - except maybe that I'm best when I make my writing practice a routine.
I think my best teacher and my best study was theater in general. It taught me a lot of patience and a lot of hard work, and I think that theater teaches you that you've got to know your stuff because you only get one chance.
A lot of people ask me what my mom has taught me about modeling. The truth is the things she teaches me go deeper than what pose to make or what my good side is.
Generally, I don't attempt to produce a certain number of words a day. The discipline is to work whether you are producing a lot or not, because the day you produce a lot is not necessarily the day you do your best work. So it's trying to do it as regularly as you can without making it - without imposing too rigid a timetable on your self. That would be my ideal.
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