A Quote by Pepa
I grew up with park jams. That's how I knew about rap... The local MCs would grab the mic and start rapping. I just used to be so in awe and fascinated and like, 'Wow, this is amazing!' But I would never, ever touch the mic. Heck no.
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Everybody was always telling me to rap and freestyle. I used to go to the park and spit on the mic. If I go to the park, they always gonna give me the mic.
Lula had Eminem cranked up. He was rapping about trailer park girls and how they go round the outside, and I was wondering what the heck that meant. I'm a white girl from Trenton. I don't know these things. I need a rap cheat sheet.
When we first started making videos, we didn't have a boom mic, so we had to talk really loud. And then we got a boom mic and were like, 'Wow, we're shouting,' and had to learn to bring it back.
I had a boom box with a dual cassette deck and a mic, so I used to make pause tapes. I think a lot of people started like that because it was all I had. I would just take rap records that I liked and just loop the beat by pressing pause and record and make, like, five minutes of these beats.
I've always been funny. I look back in the day, when I would take the mic from my dad in church and just start goin', at age six, the first time I did it. I think 14 was when I knew I wanted to do it and promote my own comedy shows at the church. Then, everyone would come.
Infinite was me trying to figure out how I wanted my rap style to be, how I wanted to sound on the mic and present myself. It was a growing stage. I felt like Infinite was like a demo that just got pressed up.
Nobody uses skits at all anymore, so it seems like I use a lot. That's how I grew up on tapes. Biggie tapes, Biggie albums would have skits. The Lox would have skits. Mase would have skits. All the dudes I grew up on in Nineties rap would have skits on their projects, just to make you feel like you were right there with them.
I thought that God and rap would never work. I thought that God wasn't okay with rap. People knew I used to rap, and I went to the Bible studies. Someone said, 'Hey, you should rap about Jesus.'
One time, it was really funny, I was going on stage... and they were like, 'Oh, we didn't mic the puppet! Mic the puppet!' So, that's how I know that sometimes I do a very good job, because they think that the puppet is actually, like, real.
As soon as I touched the mic, I knew that's what I would do for the rest of my life.
America...Do not touch my TV, my DVD, my stereo, my dual-deck VCR. Do not touch my old school, my new school, my slow jams, my party jams, my happy rap, and you better not touch...My James Brown.
Me and my dad used to go to these jam sessions and open mic nights, but I was always scared of singing on stage. It felt different to rapping - more pressured.
My dad got me the same mic I use on everything now - this $200 mic from Guitar Center.
Let me keep it 100% real with you, when there was park jams nobody rapped at a park jam when I was rapping and that's a fact. You can ask anybody don't just take my word for it do your research cuz it seems everyone wants to make themselves bigger than what they are.
When I was in college, I would go out, and I would go to these open mic nights at Stitches and Nick's Comedy Stop, so I was going to classes during the day, and then at night, I would be signing up on the lists.
Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
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