A Quote by Per Hallberg

Sometimes silence is the most effective tool to make impact, and sometimes loud and big is the trick. — © Per Hallberg
Sometimes silence is the most effective tool to make impact, and sometimes loud and big is the trick.
I'm most inspired by people who are doing what they love in a big, loud way. And big and loud doesn't always have to be big and loud. Sometimes these people can appear as a quiet storm, but in their full expression everyone feels the impact.
courage isn't simply a matter of leading charges: sometimes it consists in speaking up, sometimes in stoic silence, sometimes in forging ahead, sometimes in circumspection, and sometimes in nothing less than preserving our own humanity.
Sometimes silence can seem so loud.
Sometimes you get players who are faster than you or who can trick you with some skill. Sometimes you make the foul.
I just try to show up and be relaxed and present and honest. And that's my only trick. And sometimes it works, and sometimes it doesn't. Honestly, sometimes it really doesn't work.
The real trick to these movies and making the big action sequences work - and I've forgotten this sometimes and screwed it up - the characters really have to be humanized. Because you can have the greatest special effects in the world, but if you don't care about the people in those effects, there's no impact.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
You can sometimes sneak a political joke in, which is sometimes the most effective place for a political joke - when it's not expected. It's just the most fun thing to do.
The thing about playing percussion is that you can create all these emotions that can be sometimes beautiful, sometimes really ugly, or sometimes sweet, sometimes as big as King Kong and so on. And so there can be a real riot out there, or it can be so refined.
You can look at a finale as chance to make an impact or a statement, to shock people or shoot a big cannon and make a loud noise.
Barcza is the most versatile player in the opening. He sometimes plays P-KKt3 on the first, sometimes on the second, sometimes on the third, and sometimes only on the fourth move.
The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.
Silence can be a very powerful tool. Sometimes it's more powerful to leave you with nothing.
Sometimes I need silence; sometimes I need voices around - but not too loud or distinctive. I guess it depends on the piece in question, what stage I'm in. I think some voices can help me not to try too hard - especially at the beginning stages. Does that make sense? By some voice I mean, low chatter in the room. When there's low chatter in the room, I'm a little more relaxed, my mind might be a little more open.
Because sometimes when someone is telling you something really important, it’s best to just let there be silence, to really think about what they’re saying. A lot of times people think they have to say something all insightful or wise or something to try and make the person feel better. But really, sometimes silence is best.
Sometimes superheroes are born, sometimes they are made. Sometimes they make themselves. Sometimes all it takes is will.
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