A Quote by Per Hallberg
It often comes down to the people that you get to work with, and to match or enhance their creation. I tend to fall in love with whatever project we are involved in at the moment.
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I would like to fall in love again but my only hope is that love doesn't happen to me so often after this. I don't want to get so used to falling in love that i get curious to experience something more extreme - whatever that may be.
Any true musician, true artist, knows that when they're in that point of total artistic creation, whether on stage or in the studio or writing or whatever, that's the closest moment [to creation]. And that's what keeps all these people addicted to getting back to that moment again.
I like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.
It's not enough to raise awareness. You have to give people solutions, and you have to invite them to get involved in whatever way they can, whether that's doing volunteer work or taking a portion of their salary and figuring out where they want that money to go. You have to find ways to inspire people to get involved.
Being an actor, when you sign onto a project - whether it's good, bad, or indifferent - you kind of fall in love with it. You fall in love with the experience, you fall in love with the memories.
It's not often as an actor you get to be involved with a project that seems to be on the right side of history.
You don’t choose who you fall in love with, do you? And once you do fall in love—that obsessive sort of love, that all-consuming love, where two people can’t stand to be apart from each other for even a moment—how are you supposed to let a love like that pass you by?
Children raised with respect and inner direction tend to play well in groups, at times quite peacefully, each involved in her own project or involved with the other chidren.
Writing is work. It takes a lot of contemplation, concentration, and out-and-out sweat. People tend to romanticize it, that somehow your work appears by benefit of some mystical external force. In reality, to be a writer, you have to sit down and write. It's work, and often it's hard work.
I get worked up over an 'idea' or the ethos of an idea. I follow dreams, take notes on travels, and engage in research often - if I need names, details, facts that enhance the project.
I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.
I've been very fortunate in animation - when I get on a project, people tend to keep me, so I have long stays of work rather than bouncing around.
I love when you get to work with people who care about the project as much as you do because then, you're altogether in. I feel like I've been lucky so far to have the chance to work with people who work that way.
The fans can bring a better match by getting more involved. So when a match is over, they might be talking about how good the match was, but little do they know, that great match was elevated because of them.
As for me, I've been in love with women and men. I get how people fall in love with different kinds of people, but to fall in love with God: I didn't get that.
A mature person does not fall in love, he or she rises in love. Only immature people fall; they stumble and fall down in love. Somehow they were managing and standing. Now they cannot manage and they cannot stand. They were always ready to fall on the ground and to creep. They don't have the backbone, the spine; they don't have the integrity to stand alone.
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