A Quote by Per Hallberg
I really enjoy working with Daniel Espinosa. He's very clear on what he wants, but never stops anybody to come up with ideas to bring to the table. It's a really nice and rewarding way to work. So when Life came up, it was more a question of continuing an already good working relationship.
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I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I was going to blow their cars up, then we shot the thing really fast and it came out really good. Like I said, it won a bunch of awards and that really was the start of working in commercials.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
I think, for me, a way to really come up with new ideas and come up with new ways of writing music is to create a unique sound palette or soundscape for all the films I'm working on.
I don't resent working long hours. I shouldn't- I'm the one who set up my life this way. I love to work. It's the thing that I get the most satisfaction out of-nd probably what I do best. Not that I don't enjoy days off. I love vacations and loafing around. But I think much of the world has the wrong idea of working. It's one of the good things in life. The feeling of accomplishment is more real and satisfying than finishing a good meal- or looking at one's accumulated wealth.
Early on, I knew I had ideas, but I wasn't sure when it was appropriate to bring them to the table, and I was so intimidated by these titans that I was working for. But it started around the time of 'Tron,' when I was really excited by the creative process and the prep that went into that. I spoke up often at those writing sessions.
In really good companies, you have to lead. You have to come up with big ideas and express them forcefully. I have always been encouraged -- or sometimes forced -- to confront the very natural fear of being wrong. I was constantly pushed to find out what I really thought and then to speak up. Over time, I came to see that waiting to discover which way the wind was blowing is an excellent way to learn how to be a follower.
I love watching Billy Bob, just as a punter anyway. I like his work. But working with him is really easy and really straight-forward. He's immediately good. He doesn't have to work up to it. He doesn't make your life difficult. He listens. He's a very good listener, in terms of his acting.
It's weird, I love acting and stand-up is a very unique, solitary thing where you are the writer, performer and director. But acting is incredibly rewarding, working and interacting with people to create funny moments. I can't imagine not doing acting or stand-up, I really enjoy both of them that much.
Not much ever really comes of commissions, really. The last one that really came up with something truly concrete was the Warren Commission, and for all its good work, most Americans persist in believing that Oswald was working in tandem with the CIA, FBI, Lyndon Johnson, and the John Birch Society.
I don't know. I feel really lucky. I've just got work in the way that I really enjoy working. That's not too much fuss. Just getting up and going on set every day.
I really challenge every actor at the beginning of a process, and I always say, 'I have an idea that I'm going to bring to the table. I hope and expect that you will have an idea and bring it to the table. But the way I really want to work is that together we're going to have a third idea that is better than either of our ideas.'
Working with some outside consultants or people that really can bring you an external perspective or a benchmarking to identify opportunities is a really good way to work.
I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.
One thing about when I came back into Dinosaur that was really cool was that pretty much anybody that J. was working with who had a long-term relationship with J. were people I really liked and that I actually may have already known.
I think working with Johnny Depp was very intimidating. It was my fault though. I mean he's a total cool nice, nice guy, but I was just so, I don't know, overpowered by his presence. Like he's a very mystic person. He's older so I never really warmed up around him. I was so stiff.
People are very proud of Newcastle, very proud to come from here. This is a working class City and they just want to enjoy themselves and live life to the full. They work all week, pick their wages up at the end of the week and they spend it over a weekend by having a good time and watching the football. That's our life.
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