A Quote by Per Mertesacker

That's why I kept going with my school - I wasn't talented. That's what's the difficulty - you want to define key talents when they are 12, 13 or 14? When I was that age I was nowhere near. People had given up on me.
When I was 10, 11, 12, 13, 14, I had so many people I looked up to and was so inspired by all these different people. It's cool to be in that position.
Why do you people want to continue to import people that are going to end up placing a burden on our population? Why? If we're going to have an immigration policy, why don't we seek the best? Why do you people purposely want to go out and bring people in who are gonna end up being a burden? Now, you can define that as not learning English, not being able to have a job, being on the social safety welfare net, however you want to define it. But that's what Donald Trump means, because that's precisely what the Democrats want to do.
From 13/14 I was always hanging about with older boys. Boys in school used to call me names. But outside older boys would pay me attention because I looked older for my age. I was going to clubs from 14. I wanted to be loved.
It was only when I went to acting school that I was like, "You are absolutely such a pigheaded freak show that you thought you, at the age of 12 or 13, could have a better understanding of Stanislavski. Why did you think that you didn't need to go to school?" It was quite funny. But, I was certainly inspired.
A lot of the guys who played in the 1995 final for Ajax had been there since the age of 12 or 13. Patrick Kluivert and Edgar Davids had been there from age seven or eight, so I had a lot of catching up to do.
We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.
I had serious reservations about putting my son in the public schools in my area. I have a tremendous amount of fear for the future of my boy. He's nine-and- a-half and dark-skinned. By the time he's 12 or 13, who knows who he's going to be identifying with in these days when you get shot down for wearing expensive Nikes to school...I've heard that if a Latino makes it to 19 years of age, he has a good chance of surviving into adulthood. Up until then, you don't know.
I'm trying to get my kids - in particular, my step-daughter Mary, who's 12 - to recommend music to me. You reach a certain age and realise you haven't kept up, but I don't want to fall behind.
I want to have my 11 or 12, 13, 14 belt picture. I want to be lying down just covered in them. I want a lot of them. I want my closets to be filled with UFC belts.
When I started out as a 12-13 year old, it was a stupid idea. I remember when I went to try to get coached by Heinz Reinkemeier and my coach Gaby, when I went and met them, India was nowhere in shooting. They said, 'you want to win a gold at the Olympics? Why don't you ride an elephant back home?'
My highest compliment is when someone comes up to me to say, "My 14-year-old daughter, or my 12-year-old son read your book and loved it." I cannot conceive of a greater compliment than that - to write something that as an adult I find satisfying, but also that manages to reach a curious 13- or 14-year-old.
Strangely enough, through all those school years I decided at 13 or 14 I was going to be a musician and so school was just something to get out of the way, a waste of time and not to bother with it.
I wanted to act when I was young. When I was 12, I asked the head of English at my school, 'Can I audition?' and he said, 'What would we want you for?' And I remember going, 'Oh yeah. Why would they want me?'
I became alcoholic at around age of 13 or 14. I was full-blown. Every day we would hide the alcohol, stealing from stores or stealing it from our parents and hiding out in dirt fields and drinking it before school and after school.
I've had to be a man since I was 12 or 13. I had a job. And I was playing the piano for people twice my age. Handling responsibility is what makes a man a man.
I had a gold medal in olympics at 12. At 14 or 15 I had my career set before me. Because I started so early, I had this daily training. It developed a focus. It became so natural that it was like a native language for me to play chess. That's why I didn't feel pressure.
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