A Quote by Per Mertesacker
If there is a really good player at U16 level who disrespects the coach, if you then say: 'You can go somewhere else then. That is not how we do things here.' That would be powerful.
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Everyone fights for everyone else. If someone has a bad day, then the others are there for him. And if a player makes a mistake, then the others can compensate for that. Those sorts of things are crucial at this level, and it's really important that we perform as a unit.
The tongue is very powerful, so what you say really is, and I really believe that. So I just try to say good things, and then things like this happen.
Write down how you really feel, not how you wish you felt or how you think you should feel, but how you really feel. Don't try to change it. Honor it: "This is how I feel." Express it, and then it's not suppressed and stored somewhere in your liver or somewhere else.
If I was going to start over, then I wanted to go somewhere I could get better and win and see if I was a really good player. That's why I came to Duke.
It's a very odd thing with Hollywood, where you do stand-up, you're good at it, then they go, 'How would you like to be a horrible actor?' Then you say, 'All right, that sounds good. I'll do that.'
It's a very odd thing with Hollywood, where you do stand-up, you're good at it, then they go, "How would you like to be a horrible actor?" Then you say, "All right, that sounds good. I'll do that."
It's just a natural progression. You're a player, then you're a coach, then you're general manager for the team, and then the next logical step for me and you would be [to become] team owner.
I don't think there is anything good about fame. 'Tables in restaurants.' People say that but, then again, why don't you just call the day before? Or go eat somewhere else?
As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
If you're worried about messaging, people will just move to something else. You know if you legislate against Facebook and Apple and Google and whatever else in the US, they'll just use something else. So are we really safer then? I would say no. I would say we're less safe, because now we've opened up all of the infrastructure for people to go wacko at.
I don't feel I'm qualified to be a coach outside the high school level. I think I would need to do more education to really be a good coach.
During the preproduction when I'm shooting and then once we wrap we go away. And then the visual effects guys take over. And then they add all those little bits and pieces. They come up with ideas during the cut in the editing, and they said while would be really cool if we did this thing here where the blade pops out. So then you see the movie and say wow that's a really neat idea. I wish we would have thought of that.
And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, 'Hmm, there's half a page that's good here.' Then you throw out everything else.
I spent so long at Spurs that it's my club. If I was to become a good coach then that would be by DNA with the way they play and the way they go about things.
If I look back after 10 weeks and say I really want to stay then maybe I can make that happen. If I say OK it was good, but I’m ready to go then I can go, but for now I’m taking it week by week.
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