A Quote by Per Petterson
There is always this quarrel about what is preferable: the straight, naturalistic, epic storytelling or the modernistic, disjointed, slightly hermetic one. To me it does not matter, as long as it's good. I like both kinds. Although the common reader seems to prefer the first, which is to be expected, and who would blame her?
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I care what my reader thinks. There is no fancy recommendation you can give me that would matter to me as much as Mary Jane from Youngstown writing me a letter. There is not one. Don't need it, don't want it, don't require it, does not fill up my soul. It's about her, not about the rest of it.
I believe that the Kane/Undertaker story, if you look at epic storytelling like Greek mythology, that is what it is. It is the best piece of epic storytelling that the WWE has ever done.
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that "reader" is actually just me, if I had never read the story before.
You too would prefer that Russia maintained good relations with both the United Kingdom and the United States, wouldn't you? I would prefer it as well. If anybody in the U.S. or in the United Kingdom says: "I would like to establish good partnership relations with Russia", then both of us, you and me, should welcome that. So should people like me and people like you. However, we have no idea yet what would actually happen after the elections [2016]. That is why I am telling you that we will work with any President designated as such by the American public.
With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.
Though 'Child's Play' is ultimately more concerned with subverting storytelling expectations and satirizing the expected trajectory of traditional mystery, Posadas does embed some insights about the writer's responsibility to the reader.
First and foremost, I consider myself a storyteller. And I'm endlessly fascinated with people, with what they do and why... and how they feel about it. Which means I'm interested in romance fiction. I was drawn to it, as both a reader and a writer, at the very beginning of my career. It's my kind of storytelling.
I haven't written for a few days, because I wanted first of all to think about my diary. It's an odd idea for someone like me to keep a diary; not only because I have never done so before, but because it seems to me that neither I-nor for that matter anyone else-will be interested in the unbosomings of a thirteen -year -old schoolgirl. Still, what does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart.
The author always knows more than the reader does at the start of a novel, and gradually, they share that knowledge with the reader - that's storytelling.
When we're on tour, probably we don't go 24 hours without someone asking us where we came up with the name They Might Be Giants. Which, on one level, seems like a completely legitimate question. If I think of other bands, like The Beatles, it would explain to me that John Lennon had a proclivity for slightly cheap puns. But I'm not sure how much insight that would give me into what's actually good about The Beatles' music.
I'm partial to epic poetry, which might be surprising given that I don't write poetry at all. The combination of rollicking storytelling with musical language seems to me the highest achievement.
Good writing is about finding and exploiting anecdotes that resonate with the reader. In storytelling, it's OK if you only make one point, as long as it's a good one.
There is a part of me that likes things that are epic, that's why I think a lot of my songs go to these soundscapes that are cinematic, because I really like the epic storytelling.
From early on there were two things that filled my life - music and storytelling, both of them provoked by my father. He was a jazz pianist and also a very good storyteller, an avid reader. He passed both those interests on to me.
What I learned constructive about women, not just ethics like never blame them if they pox you because somebody poxed them and lots of times they don't even know they have it — that's in the first reader for squares — is, no matter how they get, always think of them the way they were on the best day they ever had.
We also need to find a language capable of defending government as an element of the common good, one that does not define itself as both a punishing and corporate state. This is not merely a matter of redefining sovereignty, but also rethinking what is distinctive about the social state, social responsibility, and the common good.
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