A Quote by Per Petterson

I rely heavily on rhythm when I write. You should tap your foot when you read it, all the way through. — © Per Petterson
I rely heavily on rhythm when I write. You should tap your foot when you read it, all the way through.
Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body. Your morse code interferes with my heart beat. I had a steady heart before I met you, I relied upon it, it had seen active service and grown strong. Now you alter its pace with your own rhythm, you play upon me, drumming me taut.
A good song should make you wanna tap your foot and get with your girl. A great song should destroy cops and set fire to the suburbs. I'm only interested in writing great songs.
A pop song is a condensed version of a life in three minutes, whereas, when you go to write your prose, you have to find the rhythm in your words, and you have to find the rhythm in the voice that you have found and the way you're speaking.
As a quarterback, you certainly don't want to hamstring your team in any way because - I know this more than anyone - you rely so heavily on those playmakers around you.
Read heavily in the area where you want to write. Be aware of what's selling and what's doing well but don't try to write to market trends; they are fleeting.
No matter which way you do it you need to make something happen and get a song that makes you feel a certain way, whether that's making you tap your foot or beat someone up or whatever you're doing, you just need some passion about it.
You live in a society that is shaped in every possible way by the Bible. The language you use, the laws you obey (and disobey), the founding principles of your nation, the disputes about abortion, homosexuality, adultery - these and so much else in your world are rooted in the Bible. You don't have to read it for its truth value. You should read it to understand how your world got the way it is, the way you would read the constitution or Shakespeare.
I noticed you the first week. Not just because of how pretty you are, though of course, that played into it. It was the way you lean onto your elbows when you 're listening in class, when something catches your interest. And when you laugh, it's never to get attention, it's just-laughter. The way you obssevively tuck your hair behind your ear on the left side, but let the right side fall down like a screen. And when you 're bored, you tap your foot soundlessly and move your fingers on the desktop like you 're playing an instrument. I wanted to sketch you.
The divine within you is stronger than anything that is without you. Therefore, be not afraid of anything. Rely on your own Inner Self, the Divinity within you. Tap the source through looking within. Improve yourself. Build your character. Purify the heart. Develop the divine virtues. Eradicate evil traits. Conquer all that is base in you. Endeavor to attain all that is worthy and noble. Make the lower nature the servant of the higher through discipline, Tapas, self-restraint and meditation. This is the beginning of your freedom.
--I lifted one foot from the brackish water, and the bunny slippers were soaked and drooped pathetically. Even the fangs seemed robbed of any charm. "Don't worry," I told it. "Someone will pay for your suffering. Heavily. With screaming." I felt I should repeat it for the other slipper, in case there should be any bad feelings between the two. One should never create tension between ones's footwear. --POV is Myrnin, page 221
I know I'm a long way from greatness, but I am beginning to come at it in my own way. I can go through the basic motions pretty well, don't rely quite as religiously on specific fly patterns as I once did, have worked out ways of compensating for some of my most egregious weaknesses and have come to count heavily on timing because it's a hell of a lot easier to catch fish when the fish are biting.
On February 7, 2.2 million Haitians went to the polls and exercised their constitutional right to select a leader. They went by foot, by tap tap and other forms of transportation, traveling hours and standing in line for almost a day to get to their polling places.
Tap dancing is all about the feet; you put your head down and don't really engage with anything but the rhythm in your head.
Forget about every other lesson in the book. You have to be able to tap your foot or else none of what you doing you are not gonna have any control of your symptom.
The way one perceives a book and a film are totally different. You read a book in the privacy of your room. You are the boss; you set the pace and rhythm of your reading. In the movie house, you can't do that.
Reading and writing music is a wonderful way of getting ideas in your head down to someone else who reads and writes, but if you don't read and write, and the other musician you're playing with are trying to express something who doesn't read and write, than it's a question of "I wrote" so that you must learn from listening and from understanding where that's coming from.
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