A Quote by Percy Bysshe Shelley

Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present. — © Percy Bysshe Shelley
Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present.
Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
Of course, a psychologist would find it more direct to study the inspired poet. He would make concrete studies of inspiration in individual geniuses. But for all that, would he experience the phenomena of inspiration? His human documentation gathered from inspired poets could hardly be related, except from the exterior, in an ideal of objective observations. Comparison of inspired poets would soon make us lose sight of inspiration.
Thanks partly to the kind of poets that we now have and partly to funding, there's been a gigantic shift in the way poetry is perceived... Poems on the Underground, poets in schools, football clubs, zoos.
The light of the future casts the shadows of tomorrow.
To tell of disappointment and misery, to thicken the darkness of futurity, and perplex the labyrinth of uncertainty, has been always a delicious employment of the poets
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
They who look but little into futurity, have, perhaps, the quickest sensation of the present.
How do you judge the brightness of a light when you’re the source? A spotlight can never see the shadows it casts.
Many truths which are not believed are called lies,' the Laughing Beast said. 'Mirrors do not themselves lie unless they have been enchanted. Ordinary mirrors merely reflect what is revealed to them. People lie and mirrors reflect people. If your mother feared mirrors in your land, she feared herself.
Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth.
Whatever a poet writes with enthusiasm and a divine inspiration is very fine. Earliest reference to the madness or divine inspiration of poets.
All futurity seems teeming with endless destruction never to be repelled; Desperate remorse swallows the present in a quenchless rage.
The next thing to be said about what long-range planning is not, is that it does not deal with future decisions. It deals with the futurity of present decisions. Decisions exist only in the present. The question that faces the long-range planner is not what we should do tomorrow.
Inspiration is not the exclusive privilege of poets or artists. There is, there has been, there will always be a certain group of people whom inspiration visits. It's made up of all those who've consciously chosen their calling and do their job with love and imagination. Difficulties and setbacks never quell their curiosity. A swarm of new questions emerges from every problem that they solve. Whatever inspiration is, it's born from a continuous 'I don't know.'
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
All poets pretend to write for immortality, but the whole tribe have no objection to present pay and present praise.
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