A Quote by Percy Bysshe Shelley
Constancy has nothing virtuous in itself, independently of the pleasure it confers, and partakes of the temporizing spirit of vice in proportion as it endures tamely moral defects of magnitude in the object of its indiscreet choice.
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In architecture, to do anything beyond object form is often treated as something extra-disciplinary - something outside the discipline that has nothing to do with art. So I'm making it clear that this is an artistic choice. It's not everyone's artistic choice. Some people should choose only to make object form because that's what gives them pleasure. But there are people for whom aesthetic pleasure comes from doing something else, and why would you deny that choice? It's another autonomous choice.
Whenever a man is known to seek promotion by intrigue, by temporizing, or by resorting to the haunts of vulgarity and vice for support, it may be inferred, with moral certainty, that he is not a man of real respectability, nor is he entitled to public confidence.
Some persons hold that, while it is proper for the lawgiver to encourage and exhort men to virtue on moral grounds, in the expectation that those who have had a virtuous moral upbringing will respond, yet he is bound to impose chastisement and penalties on the disobedient and ill-conditioned, and to banish the incorrigible out of the state altogether. For (they argue) although the virtuous man, who guides his life by moral ideals, will be obedient to reason, the base, whose desires are fixed on pleasure, must be chastised by pain, like a beast of burden.
Color... thinks by itself, independently of the object it clothes.
[M]y wish is, that the Convention may adopt no temporizing expedient, but probe the defects of the Constitution [i.e., the Articles of Confederation] to the bottom, and provide radical cures.
A line partakes of the simplicity of a point more than does a surface; and a surface [partakes thereof more] than does a material object-as was evident. From this consideration of a point and a material object elevate yourself unto a likeness of True Being and of the universe; and by means of [this] quite clear symbolism [of a point] make a conjecture about what has been said.
Constancy in love is a good thing; but it means nothing, and is nothing, without constancy in every kind of effort.
The wise find pleasure in water; the virtuous find pleasure in hills. The wise are active; the virtuous are tranquil. The wise are joyful; the virtuous are long-lived.
Being virtuous is wonderful thing, but feeling virtuous is a shortcut to vice.
The more prohibitions you have, the less virtuous people will be. Try to make people moral, and you lay the groundwork for vice.
When Hume insists that taste is a matter of delicacy, that it is a matter of having a sensitivity to features of an object itself, he is very close to the rationalist doctrine. Hume was really a covert objectivist (or partial one) about aesthetic pleasure because that pleasure had to be based on the sensitivity to features in the object.
Pleasure itself is not a vice
Truly, this vice is never to be compared with any other vice because it surpasses the enormity of all vices.... It defiles everything, stains everything, pollutes everything. And as for itself, it permits nothing pure, nothing clean, nothing other than filth.
The true object of moral and political disquisition is pleasure or happiness.
Taste and elegance, though they are reckoned only among the smaller and secondary morals, yet are of no mean importance in the regulations of life. A moral taste is not of force to turn vice into virtue; but it recommends virtue with something like the blandishments of pleasure, and it infinitely abates the evils of vice.
Humor is not an unconditional virtue; its moral character depends on its object. To laugh at the contemptible, is a virtue; to laugh at the good, is a hideous vice. Too often, humor is used as the camouflage of moral cowardice.
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