A Quote by Percy Bysshe Shelley
Poetry is not like reasoning, a power to be exerted according to the determination of the will. A man cannot say, 'I will compose poetry.' The greatest poet even cannot say it; for the mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness...and the conscious portions of our natures are unprophetic either of its approach or its departure.
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The mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness; this power arises from within...could this influence be durable in its original purity and force, it is impossible to predict the greatness of the result; but when composition begins, inspiration is already on the decline; and the most glorious poetry that has been communicated to the world is probably a feeble shadow of the original conceptions of the poet.
I wrote poetry for seven or eight years, maybe longer, before I could say I was a poet. If people asked, I'd say I wrote poetry; I wouldn't go further. I was in my mid- to late-thirties before I felt that I was a poet, which I think meant that I had begun to embody my poems in some way. I wasn't just a writer of them. Hard to say what, as a poet, my place in the world is. Some place probably between recognition and neglect.
I cannot say I'm a poet. That's for someone when they take in consideration where they can bestow 'poet' on. I can't do it. But I would be disingenuous if I didn't say that my intention is poetry.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
Today, when people say they cannot believe, it is not a mental problem; it is a matter of the will of the heart- they do not want to believe. Some say they have certain 'mental reservations,' mental hurdles which they cannot get over. My friend, your mind is not big enough to take even one little hurdle. The problem is never in the mind but in the will. There is sin in the life, and a man does not want to turn to God; he does not want to believe Him.
If you examine the highest poetry in the light of common sense, you can only say that it is rubbish; and in actual fact you cannot so examine it at all, because there is something in poetry which is not in the words themselves, which is not in the images suggested by the words 'O windy star blown sideways up the sky!' True poetry is itself a magic spell which is a key to the ineffable.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.
I don't like to have a calm, orderly, quiet place to work. I often compose while driving, compose in my head. It is true that I wrote my little book, 'The Sounds of Poetry, A Brief Guide,' almost entirely in airplanes and airport departure lounges.
The idea that a good God would send people to a burning hell is utterly damnable to me. I don't want to have anything to do with such a God. But while I cannot conceive of such a God, I do recognize the existence of a great universal power - a power which we cannot even begin to comprehend and might as well not attempt to. It may be a conscious mind, or it may not. I don't know. As a scientist I should like to know, but as a man, I am not so vitally concerned.
If we cannot envision the world we would like to live in, we cannot work towards its creation. If we cannot place ourselves in it in our imagination, we will not believe it is possible.
There are two men in each one of us: the scientist, he who starts with a clear field and desires to rise to the knowledge of Nature through observations, experimentation and reasoning, and the man of sentiment, the man of belief, the man who mourns his dead children, and who cannot, alas, prove that he will see them again, but who believes that he will, and lives in the hope – the man who will not die like a vibrio, but who feels that the force that is within him cannot die.
What's important about poetry in the context of leadership is that most of the time, power has to do with dominance. But poetry is never about dominance. Poetry is powerful but it cannot even aspire to dominate anyone. It means making a connection. That's what it means.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
There are things which some people never attempt during their whole lives, but one of these is not poetry. Poetry attacks all human beings sooner or later, and, like the measles, is mild or violent according to the age of the sufferer.
Homosexuals are delicate and bad poetry is delicate and [Allen] Ginsberg turned the tables by making homosexual poetry strong poetry, almost manly poetry; but in the long run, the homo will remain the homo and not the poet.
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