A Quote by Percy Bysshe Shelley

A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds. — © Percy Bysshe Shelley
A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.
A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why.
How sweet, how passing sweet, is solitude! But grant me still a friend in my retreat, whom I may whisper, solitude is sweet.
Oh, happy triumph of the poet! - to hear his verses wedded to sweet sounds, and warbled by the woman he loves!
There's a story... a legend, about a bird that sings just once in its life. From the moment it leaves its nest, it searches for a thorn tree... and never rests until it's found one. And then it sings... more sweetly than any other creature on the face of the earth. And singing, it impales itself on the longest, sharpest thorn. But, as it dies, it rises above its own agony, to outsing the lark and the nightingale. The thorn bird pays its life for just one song, but the whole world stills to listen, and God in his heaven smiles.
Music exists when rhythmic, melodic or harmonic order is deliberately created, and consciously listened to, and it is only language-using, self-conscious creatures ... who are capable of organizing sounds in this way, either when uttering them or when perceiving them. We can hear music in the song of the nightingale, but it is music that no nightingale has heard.
Far away beyond the pine-woods,' he answered, in a low dreamy voice, 'there is a little garden. There the grass grows long and deep, there are the great white stars of the hemlock flower, there the nightingale sings all night long. All night long he sings, and the cold, crystal moon looks down, and the yew-tree spreads out its giant arms over the sleepers.
Half the pleasure of solitude comes from having with us some friend to whom we can say how sweet solitude is.
I sing, but I'm not a singer. I'm just a producer who sings on her own songs because I can't find anybody else who sounds like me.
here is no competition of sounds Between a nightingale and a violin.
He could have had his choice of any woman in the district. And he chose solitude. Not solitude – that sounds too peaceful. More like solitary confinement.
I know that in a poem, even when the speaker is speaking from the poet's experience, there's always something that's borrowed, some authority that sits outside of the poet that the poem has claimed. There's a dramatic pitch that makes the speaker capable of saying something more courageous or stranger or simply other than what the poet would be able to say.
How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica: look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.
I didn't want my last chapter to be the guy who sits at the piano and sings love songs.
I was a man who thrived on solitude; without it I was like another man without food or water. Each day without solitude weakened me. I took no pride in my solitude; but I was dependent on it. The darkness of the room was like sunlight to me.
This is truth the poet sings . . .
For some odd reason, the expression 'death of a poet' always sounds somewhat more concrete than 'life of a poet.'
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