A Quote by Percy Bysshe Shelley

Poetry is a mirror which makes beautiful that which is distorted. — © Percy Bysshe Shelley
Poetry is a mirror which makes beautiful that which is distorted.
A story of particular facts is a mirror which obscures and distorts that which should be beautiful; poetry is a mirror which makes beautiful that which it distorts.
Songwriting and poetry are so commonly birthed from underdogs because one can make even the ugliest situations admirable, or more beautiful than the beautiful situations - they are the most graceful media in which the lines of society are distorted.
Other people teach us who we are. Their attitudes to us are the mirror in which we learn to see ourselves, but the mirror is distorted. We are, perhaps, rather dimly aware of the immense power of our social enviornment.
If you examine the highest poetry in the light of common sense, you can only say that it is rubbish; and in actual fact you cannot so examine it at all, because there is something in poetry which is not in the words themselves, which is not in the images suggested by the words 'O windy star blown sideways up the sky!' True poetry is itself a magic spell which is a key to the ineffable.
Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better.
For me, stories were brothers, sisters and friends, filling the long hours between childhood and adolescence, holding up a true mirror in which I might find out who I was rather than a distorted reflection of who I was expected to become.
Good character is that quality which makes one dependable whether being watched or not, which makes one truthful when it is to one's advantage to be a little less than truthful, which makes one courageous when faced with great obstacles and which endows one with the firmness of' wise self-discipline.
Imagining is in itself the very height and life of poetry, which, by a kind of enthusiasm or extraordinary emotion of the soul, makes it seem to us that we behold those things which the poet paints.
It's very hard to look in a mirror and see anything which resembles what one feels one's self to be. I think that discomfort, that dislocation, disintegration - that raw lack of feeling whole - that dysmorphia - is a very good place, in this moment, to hunt for the kind of experience which really requires the means of poetry to be grasped or felt.
I have read of a glass kept in an idol temple in Smyrna that would make beautiful things appear deformed, and deformed things appear beautiful; carnal sense is such a glass to wicked men, it makes heavenly things which are beautiful to appear deformed, and earthly things which are deformed to appear beautiful.
I am a mirror to my neighbor, and in that mirror, he must see a reflection of Jesus. If that mirror is cloudy or distorted, Jesus' reflection will be so vague it will hardly be seen.
And so, however many people watch this thing, that's how many different opinions there will be about it. But I don't feel like it has an agenda in terms of its ideology. It just presents a story like a mirror. It's a mirror more than it is than a distorted mirror.
What you think is an illusion created by your glands, your emotions and, in the last analysis, by the content of your stomach. That gray matter you're so proud of is like a mirror in an amusement park which transmits to you nothing but distorted signals from reality forever beyond your grasp.
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
Let Go of Your Worries Let go of your worries and be completely clear-hearted, like the face of a mirror that contains no images. If you want a clear mirror, behold yourself and see the shameless truth, which the mirror reflects. If metal can be polished to a mirror-like finish, what polishing might the mirror of the heart require? Between the mirror and the heart is this single difference: the heart conceals secrets, while the mirror does not.
It may be that poetry makes life's nebulous events tangible to me and restores their detail; or conversely, that poetry brings forth the intangible quality of incidents which are all too concrete and circumstantial. Or each on specific occasions, or both all the time.
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