A Quote by Percy Sledge

Where I came from in the country, there was no place to hear pop music like Little Richard and people like that. Later, I heard James Brown, Otis Redding, The Drifters, The Four Aces, The Ink Spots.
As a kid, I loved to sing along to the Drifters and Otis Redding.
When I started playing, I played in R&B bands. I played James Brown, Wilson Pickett, Otis Redding and all that.
If you took a little of Sam Cooke and a little of Little Richard, and poured it in a jar and shook it up and poured it out you would get Otis Redding.
When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.
I think of people like Ray Charles, Otis Redding, and Isaac Hayes. They all came out of the South, and they followed a certain tradition and energy. That's no knock to groups like The Temptations or The Supremes, not at all, but they were way more polished in how they did things.
I grew up loving Etta James and Aretha Franklin and Al Green and Otis Redding, and I just love old-school R&B. It's just music that moves you and grooves you, and it was very important, I think, for music.
I love the pioneers like Sam Cooke and Otis Redding, but when I write music, it comes out in my own way.
When I hear a singer, I want them to be passionate and intense, and soul singers like Otis Redding and Wilson Pickett always seemed to do exactly that.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
I was just a music lover who wondered what it would sound like if Otis Redding strapped on a guitar and played in a punk band. Thats it.
I was just a music lover who wondered what it would sound like if Otis Redding strapped on a guitar and played in a punk band. That's it.
I've been influenced by so many great people , like Sam Moore, Wilson Pickett, Otis Redding, John Lee Hooker, B.B. King, so many great blues and soul artists that I completely revere. So it's strange for me, actually, to hear somebody say, 'Oh, I was deeply influenced by your music.'
People like Sam Cooke and Otis Redding - I do not put myself in that category.
When I was 14, I heard Otis Redding in a club local to me, and I was blown away. It leaped out at me and went straight to my heart. I set my sights on singing like that.
I think what makes his story unique from others is there is not really one piece of American pop music you hear today that does not have some James Brown in it.
I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.
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