A Quote by Perdita Weeks

It takes one heck of a lot of energy to be an actor-director - a rather terrifying prospect but a challenge I would definitely relish in the future, given the chance. — © Perdita Weeks
It takes one heck of a lot of energy to be an actor-director - a rather terrifying prospect but a challenge I would definitely relish in the future, given the chance.
I would rather be physically disabled obviously than mentally. I would rather be paraplegic than nuts. And it is a terrifying prospect and actually the longer we live the more likely it is that that's how we will go and that's a very painful thing to contemplate.
I think, for me, just trying to be the 'non-threatening black woman,' constantly being, like, super-bubbly! And relatable! It takes a lot of energy! The energy you have to put into playing into the system of white supremacy, so that you can be just given a chance.
I understand, certain scenes have to have a lot of takes. As an actor, I think it's quite nice to have a handful of takes, because you don't want to do it once or twice; I think once or twice sometimes is quite terrifying because you don't really feel like you've given them what you want.
Modeling's terrifying to a lot of people. Standing in front of a camera is terrifying. I like a challenge.
Loveleen Tandon, the casting director of 'Brick Lane,' understood my capacity and suggested my name to director Sarah Gavron. The film has such universal appeal that given a chance I would like to remake it in Hindi.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
I know that I've definitely found what I should be doing with my life. In my life, as far as my career goes, I always felt, as an actor, that it was something that would just be a temporary thing that would get me to what I wanted to do next. That's what my acting did. I really feel that I'm a much better director than I was an actor.
It takes a long while for a director to cease thinking in terms of the result he desires and instead concentrate on discovering the source of energy in the actor from which true impulses arise.
I love working fast. I don't relish the director who wants to do 25 to 30 takes, or the actors who insist on doing 25 or 30 takes.
I am a director's actor. It is a director's medium, definitely. That doesn't mean I stop using my head.
I like terrifying. Modeling's terrifying to a lot of people too. Standing in front of a camera is terrifying. I like a challenge. Sailing really forces you to be present and in the moment. You kind of forget about the bullshit of life. Your thoughts go away because you're focused on making sure everything's working. I like being in that place.
It takes a lot more energy to fail than to succeed, since it takes a lot of concentrated energy to hold on to beliefs that don't work.
As an actor on a film, you have no control over the final product - your job is to make a director's vision come true. So, you need to have total faith in them and add your own creativity and opinions and energy, but you have to really give over responsibility, and sometimes that can feel terrifying.
It takes a lot of energy to be negative. You have to work at it. But smiling is painless. I'd rather spend my energy smiling.
It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely
It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely.
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