A Quote by Perdita Weeks

I've got a very tough skin because I've been doing this for a long time. Rejection is simply part of it. — © Perdita Weeks
I've got a very tough skin because I've been doing this for a long time. Rejection is simply part of it.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
I've been in the entertainment industry - wresting, but the entertainment industry since 1989; if you have thin skin, you're going to have a tough time in this town, but I've got thick skin.
Hollywood is a tough business and repeat rejection is very much part of the process.
It's not really that I've been an advocate for hearing aids for a long time, it's just that I've been losing my hearing for a long time! So it's actually very important for me because I'm actually hearing impaired and I simply want to hear better!
I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
My career has been very good to me, but really, the odds are really slim. It's a tough life, and you deal with a lot of rejection and unemployment, and if you're lucky to have a career, it's not easy. So you just want to protect your kids from the pain of rejection.
That's critical to me, the community. When I was 12 years old, I had a mental breakdown; I went berserk for a long time. I felt rejection from the white community. Couldn't understand why the pigmentation of my skin kept me from doing. Everybody always told me "You're going to be something." And of course, I began to raise questions about why it is that white folks treat us the way they do. The breakdown was very vivid. I just all of a sudden felt like I had been overcome by a train.
I would change very little because I have been very, very fortunate. A lot of things fell into place for me simply by happenstance. When that happens you don't really want to change anything, even if you could. Editorially my regrets are few and for the most part minor. I look back on my first published book and think I held on to it too long, babied it too long.
I've been thinking recently about all the qualities you need in order to be an actor. First and foremost, you've got to have a thick skin and give out an 'I don't give a monkey's what you think' kind of vibe, while at the same time really caring what everyone thinks. You've got to be tough and sensitive at the same time.
I've been a long time coming, and I'll be a long time gone. You've got your whole life to do something, and that's not very long.
The world was made up of people putting one foot in front of the other; and a life might appear ordinary simply because the person living it had been doing so for a long time.
How I Shed My Skin is, simply put, a brilliant book. While I was reading, I kept thinking two things. One, this is totally shocking. Two, it's not at all shocking, but a familiar part of my life and memory. Grimsley's narrative is straightforward and plain-spoken while at the same time achingly moving and intimately honest, and it does more to explain the South than anything I've read in a long, long time.
I think any type of setback you have, any tough time you've got, getting through it is what makes you who you are. It makes you a tougher person. I think whatever you've been through in your life makes you a tougher person. I'm very grateful for the background I have, every tough situation I've been through because it's made me who I am.
Every rejection, every phone call from my agent to say, 'It didn't go your way,' I felt the layers of my skin growing. 'OK, cool, let's move on.' You have to get beyond the fear of rejection and plow on because it's intense.
I've got very long limbs and for the best part of my life, they've been very uncoordinated.
A lot of people say I've got an old head on young shoulders and I think that's because I'd been around boxing for a long time before I actually started doing it.
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