A Quote by Perez Hilton

I don't really know jokes. I'm just in on the joke. — © Perez Hilton
I don't really know jokes. I'm just in on the joke.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I never really feel like just standing there and telling jokes. I want to move around. In fact, it's hard for me to write a joke where I don't end up on the ground for some reason. Hey, at least that way, I know no comics will steal my jokes. Too many bruises.
Twitter is just a great joke laboratory. You go in there and there are so many witty people that I know any joke I make is going to have a response with at least 10 great jokes coming back.
I'm not good with jokes, no. I don't know a joke at all. I like being told jokes, but I can't tell one myself.
When you've been doing comedy for forty years, you really do know most of the jokes. And even if you don't know a specific joke, you can pretty much guess what it's going to be.
Let's hit the joke once and move on to the next joke and just keep it where we have as many jokes per square inch as possible.
I take a lot of pride in managing to be funny without having a victim at the end of my joke. I laugh at a really dark joke as much as the next person, but my jokes, I feel, don't have to hurt anybody to be really funny.
I'm a joke comic. I tell jokes. I like writing a joke, and I like when a joke works, and I like other comics who tell jokes.
I think you make better jokes when you don't break logic for the joke, unless you make a movie just about jokes.
And I watch all the dailies and I grade the jokes or the moments, you know, on a scale from... so I know exactly what we have. And so I can then go into the editing room and be like "I want you to do this moment, this moment, this joke, that joke. I'd like to see 3 versions."
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
I loved Omar Vizquel. He tells some really long jokes, and he has his own way of telling them, but he can make every joke very funny. He would always come up with jokes on the loudspeaker on the bus.
People can write jokes five minutes after a major world event happens, and have hundreds of thousands of people read them within 10 minutes. Whereas before you write a joke, you don't know if anybody is really touching on it or not, and you tell it onstage the next night. For joke writing it has changed things.
I'm a taker in terms of jokes. I love to hear a good joke, but I don't retain jokes. I'm not a good teller of jokes.
If you do a joke that's really old, then what happens is people on Reddit and Twitter just go, 'Real original, you're just doing old jokes!' But bands do it all the time.
The jokes I was always attracted to, and that I would tell for the longest, were jokes where I cared about the subject. Whenever I wrote a joke where I didn't care, even if it was really funny, the third time I told it, it would lose steam.
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