A Quote by Perfume Genius

When I started to allow myself to not be locked into wearing men's clothes, things kind of opened up. It feels very kind to drape yourself in something that feels special.
I'm the kind of person who, as much as I like clothes in real life because it's a fun expression of who you are and everybody kind of enjoys wearing things that make them...well, in movies you're wearing things that aren't necessarily the things you would choose to put on or wear.
The guitar is something you kind of embrace, and the piano is something you kind of - when you play it, you sort of push it away. It feels very different.
I do not experiment very much and prefer the kind of clothes that Sabyasachi designs - they are rooted in our traditions and yet are very modern. I think it has something to do with my growing-up years and the kind of clothes I saw around me.
I think I probably am doing animation because I started as a kid and I learned on my own, and I worked by myself a lot. It's the only thing I really prepared myself to do in any kind of depth. And I've just kind of imbibed the technology and techniques and the thinking about telling stories this way. It just feels natural to me.
And when I stopped doing that and started thinking about what feels natural and what feels right to me and started pleasing myself, then it became good.
When I'm writing a song, things are always popping into my head, it's not so direct. It feels more like I'm in a room and there's this whole big jumble of clothes on the floor and it's like choosing what to wear. There are a lot of different things in there and you kind of pull something out and think, "No, that's not right," or you're like, "Yes I'll put this on with this."
I was a very closed person before, and I wouldn't say how I felt about things, and now I've kind of opened myself up. And it's scary.
Everybody kind of feels something for where they grew up, where they came from.
My approach is a bit unconventional because it kind of turns things around. I made a promise to myself at a very early stage that I wasn't going to try and force something into a specific shape. It's a process where I allow the songs to go where they want to go and it doesn't really fit into any kind of genre.
It kind of feels good to make something that you're proud of and it's also very real to you.
I don't know if this is the kind of retrospective analysis that people are fond of applying to their work or actions, but it feels like I knew I was going to be famous and I knew that an element of that would be traumatic, so that if I could make myself something big and otherworldly, it would be a kind of defence.
I try very hard not to take work home, but it can be tricky. Sometimes it feels as if you are wearing your costume underneath your own clothes! I suppose things are always ticking away in the back of your mind.
If something feels right, I do it. If it feels wrong, I don't. It's really very, very simple, but you've got to be willing to take your chances doing stuff that may look crazy to other people - or not doing something that looks right to others but just feels wrong to you.
A lot of America is kind of done. People have been making films about it for 100 years. Everything to me feels used up. But Jo-Burg feels unbelievably inspirational to me.
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.
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