A Quote by Perry Brass

Start a conversation with someone with whom you have "nothing in common" and no possibility of scoring with, networking with, or even seeing again. In other words, a conversation just for the civilized hell of it.
I'm always for constructive conversation, meaningful conversation, not just words, but conversation.
After all with me & Marshall, it had never been about words or conversation, where there was too much to be risked or lost. Here, though, in the quiet pressed against each other, this felt familiar to me. And it was nice to let someone get close again, even if it was just for a little while.
There may be an art to conversation, and some are better at it than others, but conversation's virtue lies in randomness and possibility: people, without a plan, could speak a spontaneous, unexpected truth, because revelation rules. Telling words recur in this smart, generous conversation between Stephen Andrews and Gregg Bordowitz: patience, responsibility, feminism, ethics, cosmology, AIDS, gift, freedom, mortality.
I don't need to convince men that feminism is important, that just isn't a goal of mine. I can't even have that conversation of whether or not it's important, because if someone asks me that... I don't want to have a conversation with them until they grow up.
There's a deeper conversation to be had on guns, and just because I happen to know where I fall into that conversation doesn't mean that I don't want to have that conversation.
Poetry transcends the nation-state. Poetry transcends government. It brings the traditional concept of power to its knees. I have always believed poetry to be an eternal conversation in which the ancient poets remain contemporary, a conversation inviting us into other languages and cultures even as poetry transcends language and culture, returning us again and again to primal rhythms and sounds.
Some people are monogamous from the get-go while other date as many people as possible until you have "that conversation." Have the conversation at the start so that everyone is clear.
I know I'm appreciated by how fans treat me, and the best way to treat them is play every day, hard. I sign autographs, but if I'm with someone I don't know who doesn't start the conversation, there won't be a conversation. That's just me, living my life. But I'll loosen up after baseball.
I think women are deeply interested in a conversation around fertility. It's not a conversation just for one age group of women, a conversation if you're post 30 or post 35. This [is] conversation about reproduction, about taking your own power with you and deciding for yourself.
Ultimately the bond of all companionship, whether in marriage or in friendship, is conversation, and conversation must have a common basis, and between two people of widely different culture the only common basis possible is the lowest level.
Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
This conversation with the audience has been going on since, what, '72, '73... Sometimes it's like a conversation after dinner with friends. You're in a restaurant, and you got there at 8 o'clock. Suddenly, you realize it's midnight. Where did the time go? You're enjoying the conversation. It's sort of a natural, organic conversation.
I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.
The first time you meet someone, the conversation is sort of on life support. You're just trying to live another moment in the life of the conversation.
Everything I am going to say to you is the child of a conversation. [...] That is the aspect of conversation that particularly excites me: how conversation changes the way you see the world, and even changes the world.
Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.
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