A Quote by Perry Farrell

Music is always my great escape... I get to be that wild child and do whatever the hell I want on stage. — © Perry Farrell
Music is always my great escape... I get to be that wild child and do whatever the hell I want on stage.
You always get nervous on stage because when you get up there, you want to do great. The crowd has you pumped up so there are always a little bit of butterflies. That's all part of it. But as far as getting stage fright, clamming up there, not generally, I just enjoy it on stage and have a great time.
I've always gotten a natural high from performing. I suddenly feel invincible when I step onto the stage. Honestly, I get most of my energy from our fans. They are always so inspiring and they push me to give 200 percent at every show. I always think of myself as a physical manifestation of our music, and our music calls for a performer with a hell of a lot of energy!
Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
Hell is oneself, hell is alone, the other figures in it merely projections. There is nothing to escape from and nothing to escape to. One is always alone.
I've got a comfortable home for my music where I can put out whatever the hell I want, and I feel like the slate is really clean, and I can get away with anything. It's a nice, free feeling.
To be honest, for me, my main workout is when I'm on stage. Even though I make pop music, I don't think I perform in the classic 'pop star' sort of way. I'm very active on stage; I always end up dripping in sweat afterwards. It's always like a full-on, wild performance, so that's pretty much like my exercise, I would say.
A child is a child in any country, whatever the politics. Let's get down to basics. That's what a child forces you to do. Nothing else much matters, there is no complicated diplomacy, when a child is starving. It's simple. And we'd better do something about it. For our sakes, too. That is, if we want to continue to call ourselves human.
I think you can't really escape any kind of spiritual education as a child, whether it's New Age or Judaism or Buddhism or whatever it is. You can't escape it, even if you completely disagree with it, you still have it as a foundation that you base things off of.
I have a very beautiful life with great friends and I look forward to waking up every day. Every day is a vacation but every day is a workday. I don't want to take vacations because music is my life and if I escape from music, that's the same thing as death. So a vacation is death to me. Sitting on the beach for a week is my idea of hell. That would kill me.
Everyone needs an escape, whether that is through music or humor. My personal escape is through both of those things so I thought why not combine them? But not in a cringe way, I don't want to make parody songs. I just want my music to have a humorous edge to it.
You better change your ways / And get really wild. / I want to tell you something / I wouldn't tell you no lie. / Wild women are the only kind / That really get by, / 'Cause Wild Women don't worry / Wild Women don't get the blues.
As a child I always wanted to be a singer. The music my mother played in the house moved me - Aretha Franklin, Chaka Khan, Mahalia Jackson. It was truly spiritual. It made you understand what God was. We are all spirits. We get depressed. But music makes you want to live. I know my music has saved my life.
I was so dyslexic as a kid, and still am, and music was such a great form of escape to me. At school I'd keep my head down and try not to get beat up, and then I'd get home and music would be like a drug to me.
I was never a great reader, but there were two stories I loved best: Kipling's 'The Elephant's Child' and 'The Jungle Book.' Deep down, I've always wanted to write a book about a wild child and an elephant.
I was never a great reader, but there were two stories I loved best: Kipling's The Elephant's Child and The Jungle Book. Deep down, I've always wanted to write a book about a wild child and an elephant.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
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