A Quote by Perry Farrell

I mean, gosh, my first tours I ever did were with the Ramones and Iggy Pop and Love & Rockets. — © Perry Farrell
I mean, gosh, my first tours I ever did were with the Ramones and Iggy Pop and Love & Rockets.
I saw the Ramones, early on at a country-rock palace in Denver. They were opening for some record-company band, so the local music establishment, and I emphasize the word "establishment," was there in force, and the handful of us who knew the Ramones were up in front. And half the fun was, you know, not only were the Ramones the most powerful band I had ever seen at that point, but they made it look so simple - that anyone could do it, hell, even I could do it. This is what I should be doing.
Iggy Pop is a pure Michigan product - gritty, smart, but not afraid of looking stupid or foolish. His father was once a high school English teacher. I love Iggy as a physical entity, sinewy, twisty - even in old age - an embodiment of rock and roll history.
'Iggy' was my dog - he was named after Iggy Pop - and 'Azalea' is the street where I grew up; together, they have the right amount of syllables to make the perfect name.
The Ramones were American, and I knew about them, and I thought they were interesting. But they were like a pop band to me.
It was when I saw Iggy Pop, that's what did it for me. That changed my life pretty much.
I'm not a singer, a walking instrument like Aretha Franklin. When you get an Iggy Pop record, you don't get "Iggy Sings." I am also a style of music, an approach.
I would love to embody the attitude of Iggy Pop or Keith Richards: a ballsy mentality. Stylistically, I love Vivienne Westwood - those capes! I'm obsessed.
He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star."
I feel like I'm doing something in Atlanta that nobody ever did as far as rap. If it happens to end up on the top 40 or the pop charts, it doesn't mean I meant to go pop. It's just where the music took me. It started at the bottom, and it rises.
We were lucky if we got two takes out of a scene in the Rock 'N' Roll High School. But the Ramones did get a lot of material cut out. I think Marky Ramone calls Mr. McGree "Mr. McGlube." But that was sort of endearing and charming, and made you just love the Ramones even more. Sometimes those flubs work in favor of the filmmakers. They just couldn't get out more than one sentence in a row. It was just kind of weird. I think they were just nervous.
The period right before punk rock where people like Lou Reed and Iggy Pop were really strong.
Even that word depends on what you mean by pop. I mean, pop music has currency. It could just be about that girl who's in love with you.
I did three club tours before I started playing concert halls, and the clubs were half full the first time around.
I mean Iggy and The Stooges first couple of albums I think sold twenty five thousand between the two of them you know and so to talk in terms of an underground I mean you have to go really to the independent labels and things like that.
...quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.
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