A Quote by Peta Wilson

I've made a lot of grown men cry with laughter, because I really am quite the joke. — © Peta Wilson
I've made a lot of grown men cry with laughter, because I really am quite the joke.
I think people recognize me if I am going out to dinner or if I am staying in a hotel. They are not quite sure at first because I have grown up a lot.
"Open Arms" has a lot of unison singing in it. And it works: Grown men will come to our gigs and cry during that one.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I cry because the future has once again found its sparkle and has grown a million times larger. And I cry because I am ashamed of how badly I have treated the people I love–of how badly I behaved during my own personal Dark Ages–back before I had a future and someone who cared for me from above. It is like today the sky opened up and only now am I allowed to enter
The old idea that the joke was not good enough for the company has been superseded by the new aristocratic idea that the company was not worthy of the joke. They have introduced an almost insane individualism into that one form of intercourse which is specially and uproariously communal. They have made even levities into secrets. They have made laughter lonelier than tears.
She'd stood by that creed. No softness, because the world wasn't soft; lots of laughter, because if you were in on the joke, the joke couldn't be on you; And no wanting what you couldn't take, because the world never gave. Or so she'd thought.
Because my mouth Is wide with laughter And my throat Is deep with song, You do not think I suffer after I have held my pain So long? Because my mouth Is wide with laughter You do not hear My inner cry? Because my feet Are gay with dancing You do not know I die?
There are a lot of coming out videos of people who are gay or lesbian, and they're so confident. But it made me cry because I'm not that. I don't know who I am 100 percent.
As far as writing, it's grown because I've really grown comfortable with who I am.
Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
I'm convinced that quite a lot of young people, when they get in trouble with the law, it's a cry for help there. Because it's not that they go out to offend. It's that their behaviour is self-parading, it's the big 'I'. And sometimes that means they're really lacking in confidence.
I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not true laughter. No! He is a king, and he come when and how he like. He ask no person, he choose no time of suitability. He say, ‘I am here.
Boys like it when you talk to them as if they were grown men—at least he always did when he was a kid—because they pretend that’s what they are anyhow, grown-up men, and they do it for their entire lives.
I had grown men cry. I mean, literally.
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