A Quote by Pete Best
Anyone who knows the history of the Pete Best Band or the Combo, we were on the verge of breaking in in America. In the mid-'60s, I had great songwriters; we wrote some great stuff.
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The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.
I know that some of the great painters and some of the great artists didn't even start to 'peak', as you say, till they were in their fifties and sixties. And God knows, history is full of artistic people that weren't even recognized till they were dead and gone.
When I first got into the major label system, they were like, 'Hey, you're great - now write with a million people so we can get songs.' That was something I hadn't done before, and the songwriters I was working with had worked on some massive numbers - like 'True Colours.' One of the guys wrote 'Livin On A Prayer.'
The '60s was a magical time in the music business. So much creativity and talent. I think a lot of it came from the fact that we had grown up before rock n' roll. We listened to all the great songwriters and big bands, songs with great lyrics and melodies. I think that really influenced everybody.
We were on a tour, and there were some chord formations that were tough for me to play when I was a kid...it had become apparent that there was some stuff I wanted to do that [would require me] to learn how to do that. So I wrote the song and used some of these chord formations so I would have to play them. I thought it would be a great teaching vehicle for a while, and it was, but it ended up as a performance song.
Well, a sort of epiphany: I was in a great band. And it's very cool to be at 53 and realise that when you were a kid you were in a great band.
There are some great writers who are great talkers, but there are more great writers who are not great talkers. People seem to think there is some connection between talking and writing, but I love to talk and if there were some connection between the two of them I would be the most prolific writer in the history of the world.
LCD live was set up to be an argument about what's wrong with bands and why bands should be better. I always thought that we were so obviously not a great band, comically not a great band. I was not a great front man.
I fell in love with Nashville and wrote with some of the best songwriters here.
I think Liverpool have a long history with many great players. I hope one day to be up there with those great players. I'll try my best to write some history here.
The very phrase 'Make America great again' implies some kind of reset to a time long since passed. A mission to restore America to a previous default setting where American economic superiority was without peer, factories and manufacturing plants were humming, and jobs were plentiful for anyone who wanted one.
Men are four;
He who knows and knows not that he knows. He is asleep; wake him.
He who knows not and knows not that he knows not. He is a fool; shun him.
He who knows not and knows that he knows not. He is a child; teach him.
He who knows and knows that he knows. He is a king; follow him.
The heights by great men reached and kept
Were not attained by sudden flight,
But they, while their companions slept,
Were toiling upward in the night.
I wanted to be a great producer so I studied great hip-hop producers, but also stuff beyond that: Phil Spector, David Axelrod, Gamble and Huff. They're equally as influential to me as Dilla, Premier, and Pete Rock.
I grew up with great coaching, and it had nothing to do with sports. I had great parents. I really got some great input from there. They were entrepreneurial, middle-class business people.
Coming from art school, I had a great sense of style - as did The Beatles and the Stones - and I enjoyed projecting that. Image, attitude, great music and great lyrics - that was the '60s.
Everybody is different. Some writers can write reams of great books and then J. D. Salinger wrote just a few. Beethoven wrote nine symphonies. They were all phenomenal. Mozart wrote some 40 symphonies, and they were all phenomenal. That doesn't mean Beethoven was a lesser writer, it's just some guys are capable of more productivity, some guys take more time.
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