A Quote by Pete Doherty
When inspiration and emotions are sudden, and you can truly capture something, then, yeah, of course it feels good. But when you’re stunted, and you’re having trouble expressin’ yourself, then obviously it doesn’t. So it’s never constant.
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The programme has ended, something has finished, and he has a sense of something having finished its course, and then all of a sudden he turns away and this other thing has just finished its course, this other person.
It feels good, pouring your heart out over something, and then all of a sudden people are getting inspired.
The only rule I have is to quit while it’s still hot. Never write yourself out. Always quit when it’s going good. Then it’s easier to take it up again. If you exhaust yourself, then you’ll get into a dead spell and you’ll have trouble with it.
Then, you also have that, we all have that sense of wanting to belong. We all have that road-rage, you can relate to that road-rage because you're so frustrated. The sense of frustration, the sense of getting caught, doing something wrong, all those are sort of universal emotions and you just have to make it specific to yourself and you channel this, I don't know what it is, but this inner self and then try to capture the vulnerability.
Inspiration doesn't really work like that - you're not looking out for it. Inspiration is something that tends to capture you rather than you capture it.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
Most people think, "Life sucks, and then you die." I disagree. I think life sucks. Then you get cancer. Then you go into chemotherapy. You lose all your hair, you feel bad about yourself. Then all of the sudden the cancer goes into remission, and then all of the sudden you have a stroke. You can't move your right side. And then, maybe, you die.
My indigestion issues got gigantic and constant. And then I started thinking, I'm getting skinny. I dropped about 20 pounds in the blink of an eye. And then when you see it in the mirror, when all of a sudden, you pull your eyes down and the bottom of your eyes go yellow and jaundice sets in - then you know something's wrong.
I think you win one game in the playoffs and then you don't go any further than that, it's obviously good but it's not like something that you're like, 'Yeah!'
Being a pop star is something I don't think I'm very good at. I'm worried it's making me too paranoid, because all of a sudden, life has become this constant assessment. When you put something out there and people get to hear it, then those people react to it, socially, culturally.
In Hollywood, you tend to get pigeonholed to certain genres, and then when you try to do something different, it's not always so easy. Obviously, you don't want to keep repeating yourself, all the time. So, it's a constant struggle for every filmmaker and actor to find something that you can really feel passionate about. It's a profession like anything else.
I tend to do something for two years then move on to something new. Yoga, then biking, then weight lifting, then back to biking. The moment it feels like a rut, I switch and search for a new love. It's like having a midlife crisis, but without the new wife or cheesy BMW.
You just need an opportunity and then you yourself have to do a good job, and then you hope that people go, 'Oh yeah, I forgot about her.'
My business in the beginning was very lawless and the more trouble I go into, the more the promoters liked me back then. I was on the front page for doing something wrong, the arena was full. Then, all of a sudden, everything changed somehow and they put rules in. You put rules in a gunfight? I'm not so good at following those rules. I don't' know what will happen at WrestleMania.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
I saw so many innocent lives, especially children, who were literally robbed of their potential because they're not given the food and nutrition that they need to get by. As a result, when young kids aren't given that proper nutrition, their minds are stunted; they're physically stunted. Truly, their start in life is one that is debilitating to them. And again, I certainly didn't grow up ever having to worry about where my next meal was coming from. The fact that so many people, even in our own country, worry about something so basic, it's something I really wanted to help do something about.
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