A Quote by Pete Doherty
I knew I had I a better album than 'Up the Bracket' in me, and I wanted to record it. But I was told we've got to keep touring, keep promoting. That was the first time I realised we were on a conveyor belt.
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The experiences of promoting my first album were really something; there is so much illusion in my environment (touring and pop music) that I wanted to clear away.
To be honest, I didn't think I would be here for this album [Give the People What They Want]. I thought I was going to die. When the doctor came in by himself and told me I had cancer, it was frightening. He told me he got it and there would be six months of chemo. I really thought people would be promoting my record without me here to enjoy it. But I'm here.
The first time I got pregnant, I was a young girl - I was 17 years old. Although I knew right away that I wanted to keep my child, being a pregnant teen was an extremely scary experience for me. Luckily, my family and friends were very supportive and were there for me every step of the way.
Even when I was struggling and had horrible day jobs and wanted to be successful but wasn't finding my way in, I knew what I had to do. I knew I had to keep working at it and keep putting material out there, even if no one was paying me for it.
You got to do what's happening today in the world. You got to keep up with time. Keep up to date, keep modern - keep up on your toes!
I realised to keep improving, I needed to play more. It wasn't easy not getting many chances, but I knew I just had to keep working hard in training and take the opportunities when they came.
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
When I finished the Boston race in 1967, there were two things I wanted to do. I wanted to become a better athlete because my first marathon was 4:20. In those days, that was considered a jogging time and I knew people were going to tease me. But I was more fascinated with what women could do if they only had the chance.
I feel like you have to constantly keep proving yourself, and you have to constantly keep getting out there and showing them you're more than just that one song on the radio that's just playing. And that's what I had to do the first time around; I had to keep going out there and keep performing live.
Touring was an abstract idea for me in the beginning. I didn't know where it was going to take me, but I knew that I wanted to go and play for lots of people. I always had that image in my mind. I had no idea what the touring experience was like, and how it was going to unfold, but I knew that I wanted to tour. Then it just started happening slowly started happening.
I still enjoy playing some of those early Straits songs, and I'm proud of what we did, and certainly we had some great times. It's what we all wanted when we were kids. But you've got to have the resilience to ride that thing, to pick up that ball and run with it. Because you will keep picking it up and keep running.
I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
The 'Frampton' album sold better than all of the other solo records that I'd had, put together. It was over 300,000 copies, so that was a good signal that we were poised for my first gold record.
Time repeats itself, so it's up to you to keep up with the curves of the music and keep reinventing yourself so you can be better than what you are.
You had to keep the mood up; you had to keep the tempo up. You had to keep the feeling of, "Hey, we're doing something that's really exciting. It's fun being with these people." And the more fun you have, the better you do it.
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