A Quote by Pete Doherty
Amy Winehouse asked me a while ago if I had written any new songs. I played her something, and when I had finished, she looked at me and said, 'Is that it? Is that all you've got?'
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She didn’t understand why it was happening,” he said. “I had to tell her she would die. Her social worker said I had to tell her. I had to tell her she would die, so I told her she was going to heaven. She asked if I would be there, and I said that I would not, not yet. But eventually, she said, and I promised that yes, of course, very soon. And I told her that in the meantime we had great family up there that would take care of her. And she asked me when I would be there, and I told her soon. Twenty-two years ago.
Basically, there's a good friend of mine who works at EMI Publishing, a publishing company. He had asked me - he was like, you know, do you know this girl, Amy Winehouse? She's in New York for a day. She's kind of meeting people to maybe work with on her second album.
Amy Winehouse: Did she invent white soul? Wearing a beehive? No. But she did something brand new and fresh, altogether as a package, and you see who's in her wake, from the Duffys to the Lana Del Reys. Adele selling 20 million records? That would not have happened if Amy Winehouse was alive.
So when I was working with Amy Winehouse on "Back To Black," you know, she had all these beautiful songs, incredibly well-written and just her on an acoustic, nylon-string guitar. And she'd play them for me, and then I would kind of drum up my idea of what I thought - make a demo with what I thought the drums should be doing, the guitars - like, quite a crude demo.
I believe in Amy Winehouse. I know she’s not with us anymore but I believe she was who she was and in that way she got it right. I would say an actress like Lauren Bacall also got it right. She never let anyone persuade her to be something she wasn't. She was strong. She always looked like she knew what she was doing.
Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
I have a friend, a pastor, who applied with me and 419 other people for 25 seats on a special advisory board. Though I believed she was infinitely more qualified than me, she wasn't selected and I was. When I saw her at her church weeks later, I asked her how she felt about the decision. While disappointment, self-doubt and defeat would have been normal reactions to the Board's decision, my friend said she felt great. 'How come?' I asked. She said with a smile, 'I just figured God had something better in store for me.'
Each time we had a visiting writer, I asked what she thought of women and humor. By the end of the year, I had perfected my question and asked Adrienne Rich why there was so little written about women and humor. She looked at me right in the eye and said, 'You write it.' I took that as an order.
Amy Winehouse's mother wrote an open letter to the News of the World newspaper telling Amy she's worried about her and to please call her. I doubt this is the best way to communicate with Amy - she should try spelling it out in lines of cocaine.
I listened to a lot of Amy Winehouse: her albums 'Frank' and 'Back to Black'. She was such an incredible artist. She was just so raw and had her unique sound; she paired jazz with pop and was so soulful at the same time. So I pulled from her a lot in the beginning.
Why did I write 'The Emperor of All Maladies?' A 56-year-old woman with an abdominal sarcoma, having undergone two remissions and a relapse, asked me to describe what she was battling. By the time I had finished answering her, I realised that I had written 600 pages.
She asked me what was wrong, and I told her I had to end it. She was surprised, and asked my why I thought so. I told her it wasn't a thought, more a feeling, like I couldn't breathe and knew I had to get some air. It was a survival instinct, I told her. She said it was time for dinner. Then she sat me down and told me not to worry. She said moments like this were like waking up in the middle of the night: You're scared, your'e disoriented, and you're completely convinced you're right. But then you stay awake a little longer and you realize things aren't as fearful as they seem.
I liked Amy Winehouse a lot. I liked the way she did what she wanted, and she wasn't fazed about the press being on her back. I loved her songs so much.
My first in, my first break, was I met a director and got to talking with her, and she happened to be casting this movie that she had written. That was ten years ago. That got me to Hollywood. I got paid $700 bucks.
She didn't give George any too easy a time when she was alive. She was one of those semi-invalids – I believe she had really something wrong with her, but whatever it was she played it for all it was worth. She was capricious, exacting, unreasonable. She complained from morning to night. George was expected to wait on her, hand and foot and everything he did was always wrong and he got cursed for it. Most men, I'm fully convinced, would have hit her with a hatchet long ago.
There was a certain history to this. While heavily pregnant with Amelia, she had asked him if she was radiant or if she just looked like a waddling duck. He told her she’d looked like a radiant duck. This had not been the correct answer.
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