A Quote by Pete Doherty
My sound is just vintage Vox AC30s and Marshalls... Matchless amps are cool as well.
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For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day,' I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day', I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.
I've always used the Peavey Mace equipment. I've got a few of them. They're kind of like Marshalls. You know, we used to use Marshalls, but Peaveys just seem to last longer and push the sound better.
These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound.
The C+ amps is vintage at this point, and it definitely has a certain sound to it. I wanted something that was going to keep Dream Theater in more of a current musical landscape, as far as being the producer and producing the type of album I wanted to hear.
I was working at eBay, so I would just troll the vintage categories, find old amps and what have you. I was buying a fair amount of stuff and playing with it and then selling it back.
I wanted something different. I'd been using the C+ amps for a long time, and I love them - they're one of my favorite amps ever. But on this album [Road Kings] I wanted - there were a couple reasons, actually. One is that I wanted a more aggressive sound, some more teeth and hair.
I learned a long time ago with guitars and amps or anything else, whatever band I'm in, I'm just going to sound like me anyway, so I just stay true to that.
I'm always trying to evolve my sound. I love the simplicity of my setup. I play Gibson guitars and Marshall amps. So it's kind of like the standard rock sound.
Ampeg made incredible guitar heads in the early Nineties and then stopped. And I don't know why. The one we used had a nice clean, warm sound, and it blended well with the other amps that were in the studio.
I find some really cool, unique stuff in vintage shops. The good thing about vintage if that it doesn't quite fit you can customise it, like, make it shorter. The shorter the better!
I wanna go in the studio and just go back to the same amps and stuff I'm so comfortable with the sound of. Which I think is important to stay original.
A lot of modern amps and preamps sound great when you're jamming by yourself, but don't hold up in a band situation. The sound isn't dense enough, and the lows and highs tend to get soaked up by the bass and cymbals.
Nec audiendi qui solent dicere, vox populi, vox Dei, quum tumultuositas vulgi semper insaniae proxima sit. We should not listen to those who like to affirm that the voice of the people is the voice of God, for the tumult of the masses is truly close to madness.
When it was first said that the sun stood still and world turned round, the common sense of mankind declared the doctrine false; but the old saying of Vox populi, vox Dei [the voice of the people is the voice of God], as every philosopher knows, cannot be trusted in science.
Can't stand it. Too many amps, too much volume, it's just flat-out ear assault. Speedy guitars leave me not feeling detached but physically upset. When you think of all the subtleties that were built into the guitar and amps for you to discover they completely cover the whole lot with a rack of effects. The guitar doesn't need that.
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