A Quote by Pete Fountain

If you're making money people don't think you're playing Jazz. When you're not making money they think you're a great Jazz musician. — © Pete Fountain
If you're making money people don't think you're playing Jazz. When you're not making money they think you're a great Jazz musician.
You know, it's funny... when you're making money, people don't think you're playing jazz. Now when you're not making money, people think that you're a good jazz musician.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
We don't live in a jazz world, unfortunately. I think if I had lived in a jazz world, I would have done OK. I'm not sure I would have done great. I'm a lover of jazz music, so I would have been happy, don't get me wrong. I go to jazz concerts like the biggest jazz fan in world. The drag is that I don't play jazz for a living.
It's funny to find there are still people around who think if a musician has schooling, it automatically makes him a lesser jazz player. But you don't learn jazz in school.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
I'm a jazz musician by education and vocation, but I don't think jazz should [ dictate] what I want to do.
Of course we've lost so many superstars who've made jazz what it is. We've lost so many musicians who created new things and changed the way we think about music and who took jazz to a new level. So jazz is suffering from that. But we still have a lot of incredible people playing jazz in the world. We have a lot of people leading the way.
I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.
I really love jazz, but I will never be a jazz musician as much as I dream. But, I think that the jazz music I love is there in my music.
My school music teacher, Al Bennest, introduced me to jazz by playing Louis Armstrong's record of "West End Blues" for me. I found more jazz on the radio, and began looking for records. My paper route money, and later, money I earned working after school in a print shop and a butcher shop went toward buying jazz records. I taught myself the alto saxophone and the drums in order to play in my high school dance band.
I don't think I've ever been true to jazz. There's always a kind of jazz element to what I do. There are a very few genres that I haven't tried out, really, in what I've been doing. As a jazz musician, you can kind of mess about with things with a certain level of musicianship, which helps.
I'm a prize fighter. Titles don't pay bills. I fight for money. I'm making money. They're making money. Everybody's making money. That's what this is all about.
I went to jazz school. Not to say I'm a great jazz musician, but I studied under some great teachers. It was an important part of my life.
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