A Quote by Pete Fountain

You know, it's funny... when you're making money, people don't think you're playing jazz. Now when you're not making money, people think that you're a good jazz musician.
If you're making money people don't think you're playing Jazz. When you're not making money they think you're a great Jazz musician.
It's funny to find there are still people around who think if a musician has schooling, it automatically makes him a lesser jazz player. But you don't learn jazz in school.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
Of course we've lost so many superstars who've made jazz what it is. We've lost so many musicians who created new things and changed the way we think about music and who took jazz to a new level. So jazz is suffering from that. But we still have a lot of incredible people playing jazz in the world. We have a lot of people leading the way.
I didn't plan on rock-n-roll. I wanted to learn jazz; I got to know some people doing rock-n-roll with jazz, and I thought I could make some money playing music.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
I'm not a jazz artist. Don't get me wrong now, it's all music to me. I just played music and if it's likeable, someone liked the sound, then fine, but I'm not interested in being a jazz musician. I don't consider myself a jazz musician. I don't have anything to do with that word.
What I believe to be jazz is constructed and improvised music which is in the air right now. But I don't think that's most people's definition of jazz, you know? We don't know what we're talking about, because we don't know the definition.
What makes jazz different is that you can't predict it, it's all about freedom. Just when you think you know what you're going to hear there'll be a left turn, a jazz musician will change it up.
But sometimes that title 'jazz' can vex people who think they know exactly what jazz always is and will be.
I'm a jazz musician by education and vocation, but I don't think jazz should [ dictate] what I want to do.
I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.
I really love jazz, but I will never be a jazz musician as much as I dream. But, I think that the jazz music I love is there in my music.
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