Military people never seem to apologize for killing each other yet novelists feel ashamed for writing some nice inert paper book that is not certain to be read by anybody.
I read a lot of scripts, and there's a lot of good writing and a lot of OK writing and a lot of crappy writing. And even with the really good writing, it doesn't necessarily speak to me.
Wanting to know all kinds of things is perfect for novelists, because novelists are generalists. We're not specialists in anything, except, hopefully, writing.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
Tony Vigorito has grown a cult following of thousands for one reason - his stuff is fun to read... It's... filled with the freshness and the freewheeling independence that made his reputation... This book is the 'work' of one of the least pretentious and most enjoyable to read novelists at play in America today.
Some who have read the book, or at any rate have reviewed it, have found it boring, absurd, or contemptible, and I have no cause to complain, since I have similar opinions of their works, or of the kinds of writing that they evidently prefer.
I don't read a lot of inspirational books for life. But for writing, I think the two best books are The War of Art and William Zinsser's On Writing Well. I read a lot of classics.
When I was young, I was a passionate reader of Sartre. I've read the American novelists, in particular the lost generation - Faulkner, Hemingway, Fitzgerald, Dos Passos - especially Faulkner. Of the authors I read when I was young, he is one of the few who still means a lot to me.
I often tell people who want to write historical fiction: don't read all that much about the period you're writing about; read things from the period that you're writing about. There's a tendency to stoke up on a lot of biography and a lot of history, and not to actually get back to the original sources.
I'm a very good storyteller; I have a lot of compassion for people. That's very useful for a novelist. A lot of novelists are snots. They're just mean people. I'm not a terribly skilled stylist, nor do I want to be. I want a lot of people to read one of my stories and go, 'That was pretty cool.'
Novelists have, on the average, about the same IQs as the cosmetic consultants at Bloomingdale’s department store. Our power is patience. We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.
Beginning in the 1920s and 1930s, film has been a shadow thrown over the minds of all novelists. Ever since, novelists have strained to make themselves more relevant and, whether consciously or not, novel-writing has been influenced by cinematic doctrines - by turns, embracing and defying it.
I haven't read for pleasure in 35 years. I mean, I get a lot of pleasure from what I read... For me, it's gotten so that it doesn't seem as though I've read a book unless I've written about it. It really seems the completion of the reading process.
A lot of novelists start late-Conrad, Pirandello, even Mark Twain. When you're young, chess is all right, and music and poetry. But novel-writing is something else. It has to be learned, but it can't be taught. This bunkum and stinkum of college creative writing courses! The academics don't know that the only thing you can do for someone who wants to write is to buy him a typewriter.
The suspension of allowances was temporary and was to be reviewed periodically. It was reviewed in the appropriate time after our oil revenue improved.
I'm not a reader of young adult fiction for the simple reason that these novelists are writing for adolescents, so they are not writing for me.