A Quote by Pete Hamill

New York and Dublin are now suburbs of each other. — © Pete Hamill
New York and Dublin are now suburbs of each other.
Let's help each other. New York, because New York is first. And then after New York, and after the curve breaks in New York, let's all rush to whoever's second. And then let's all rush to whoever's third. And let's learn from each other and help each other.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
I've lived in other cities - Rome, Dublin, Mexico City - but I was born in New York City, and I always lived in those other places as a New Yorker.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
RyanAir have been getting a hard time because they've launched a £7 flight to New York. Although as always with RyanAir it does land slightly outside of New York. In Dublin.
When I come home, I say I'm coming home to Dublin. When I'm in Dublin, I say I'm going home to New York. I'm sort of a man of two countries.
Everyone knows everyone because we've all worked in theatre. All of our 'Dublin Murders' crew came from 'Game of Thrones'. Also, we only drink in two pubs in Dublin, so we always bump into each other.
To write a story about New York that only deals with people in your age and socioeconomic bracket, that feels dishonest to me. So much of New York comes from everyone bumping into each other.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
We're called New Jersey but we're actually the suburbs of New York.
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
I grew up in the D.C. suburbs, and what I like about that place is that there's not a strong regional affect in the cultural imagination like there is in Dallas or San Francisco or New York City. You have a little more freedom as a novelist this way. The suburbs become a generic idea, and the place doesn't intrude into the narrative.
Well the thing is that the New York of 1846 to 1862 was very different from downtown New York now. Really nothing from that period still exists in New York.
I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.
In terms of theater, there's not a more supportive theater community than in New York. It's really kind of a real thrill to go there. I mean, don't forget, I'm a boy from the suburbs of Sydney, so getting to New York is a huge, huge thrill.
I'm from the US of A. Born in Des Moines, raised in the New York suburbs.
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