A Quote by Pete Hamill

I'm not interested in stories about movie stars. I couldn't care less what Steve Martin has on his mind. — © Pete Hamill
I'm not interested in stories about movie stars. I couldn't care less what Steve Martin has on his mind.
I want to continue to make beautiful movies. The most important thing is to be a part of beautiful stories, that's all I want. So I don't care if it's a Hollywood movie or an independent movie or a Spanish or American movie. I care about telling stories.
It took me the bulk of my twenties to write one book about a family of alligator wrestlers. Whereas somebody like Steve Martin is releasing his latest banjo symphony, having just completed another movie and acclaimed, best-selling novel.
I read a lot of summaries about the story [ based on the Cyrano de Bergerac. ]. I also watched Roxanne, the movie starring Steve Martin.
I always tell people that to be the funny person in a Steve Martin movie is like getting a call that Keith Moon wants you to play drums on his record. He should be playing drums on his record.
I really like the movie 'The Jerk' with Steve Martin.
The first 'Saturday Night Live' season I was heavily interested in was the one with Martin Short, Billy Crystal, and Christopher Guest. There was just something about Martin Short in particular. I really related to him and hung on his every word and mannerism, so I started impersonating all of his characters as an 8th grader.
I'm getting less and less interested in the problems of youth. I'm much more interested in the idea of emotional paralysis, and I find myself less interested in work that doesn't have anything to do with a conversation about the world.
My heroes were Gene Wilder, Steve Martin, and Martin Short.
The audience just doesn't care. They are just as interested in women-centric stories as they are in stories about men.
I really don't care what movie stars have to say about life.
The Pink Panther wasn't shown to the press for reasons that soon became apparent when I saw it at a public performance. Two people (20 per cent of the audience) laughed; one was Chinese, the other, whom I couldn't see, might have been an escaped hyena. This laughless francophobic comedy stars its co-scriptwriter, Steve Martin, in what is, by my reckoning, his eighth lousy remake since 1989.
Honestly, working with Eddie Murphy was mind-blowing just in terms of the budget alone. To see the respect he commands, to witness his presence, you understand why he and people like Martin Lawrence are stars.
If I had my child to raise all over again,I'd finger paint more, and point the finger less.I'd do less correcting, and more connecting.I'd take my eyes off my watch, and watch with my eyes.I would care to know less, and know to care more.I'd take more hikes and fly more kites.I'd stop playing serious, and seriously play.I'd run through more fields, and gaze at more stars.I'd do more hugging, and less tugging.I would be firm less often, and affirm much more.I'd build self esteem first, and the house later.I'd teach less about the love of power, and more about the power of love.
I'm interested in stories about human beings. I don't care where or when they are set.
You'd be surprised how many movie stars still care about the work.
Steve Martin in 'All of Me,' when he did that whole thing where he was possessed by the spirit in his body? It was brilliant.
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