A Quote by Pete Holmes
It's funny - the reason I started doing a podcast was because every time I was on someone else's podcast, I would take it over a little bit.
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I started a podcast about 'X-Files' and ended up on it. Then I started a podcast about video games, and I'm in the new 'Mass Effect' game. I have to pick the stuff I love and do a podcast on it.
I'm also launching a podcast. Because, I mean, the world desperately needs another podcast, am I right? Not to be a tease, but the format is different from anything else I've seen out there, and the subject matter is hopefully boundless, eye-opening, and a little cathartic.
I was on the outside of the industry. So I started a podcast early in the podcast boom and that caught on a little. I made an album that went to No. 1 on the iTunes charts. I made my own special. I started my own storytelling show.
I downloaded a Ricky Gervais podcast once at the persistent urging of a friend and found it funny but distracting - if I'm online, I'm surfing, which means I'm distracted from the podcast. So it's a form that doesn't really work for me.
I pushed against doing a podcast for so long. I'm a very late comer to the podcast game. But you're responsibility as a comedian is to get your viewpoints out into the world, and we have a lot more avenues to do that. So it's a lot more opportunity, but really have to work all the time.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
For podcasters, people are just being themselves in a public fashion. So when someone is attacking a podcast, they're really attacking the person, because the person is the podcast. So I think that's why podcasters take it to heart. It's a very personal form of media, probably the most personal form of media.
In doing my podcast, I do find that I tend to try out bits that I then try on stage later that day. If they work, great, and if they don't, I regret having talked about it on the podcast.
Doing the podcast, the whole reason to do it is just because I can do whatever I want.
I don't take anything from the podcast and bring it to my act, because I feel like that's been burned, unless I feel like I can really develop it beyond two or three jumps beyond what I said on the podcast.
I'm a big podcast guy, I have my own podcast called 'Wide Open.'
The podcast was kind of an afterthought, because I was just excited about being on the radio. Then I found that the podcast listenership is some 20 times what people are listening to on the radio.
For me personally, I was just worried that transitioning from a podcast, which is a very intimate sort of experience - people tell me they listen to my podcast while they're at the gym or on road trips, so you're in someone's ear - to being on television - that's a lot of space to fill.
'The Canon' is a film podcast that also has much in common with books podcast 'Backlisted.' Both suggest you can get a lot of pleasure out of things that aren't new.
Podcasting is not really that different from streaming music, which we've done for quite a long time. Having a traditional podcast that people subscribe to - the hype is ahead of the quality. Podcasting is essentially a download, and you run into copyright issues. What you're left with currently is podcast talk radio.
Marc Maron's podcast success has nothing to do with my podcast success. If I do a quarter of a million downloads, I can show that to an advertiser as a fact, and that's that.
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