A Quote by Pete Holmes

It's true that in show business, a lot of times a producer will just not ever be there, not even be aware that a show is renewed or canceled. — © Pete Holmes
It's true that in show business, a lot of times a producer will just not ever be there, not even be aware that a show is renewed or canceled.
Yeah, I had a talk show canceled. Okay, let's go back to the list of people who had talk shows canceled. Johnny Carson had his first talk show canceled. Jon Stewart. Letterman. Conan O'Brien, if you look at 'The Tonight Show' as a show that got canceled.
The challenge for a director - and I think a lot of directors feel the same way - is that today we have to put on a producer's hat, too. Meaning, you have to sometimes think of it being 'business show,' not just 'show business.'
In my own life, hate has consumed me at times. Or envy. When my TV show was canceled, I didn't think it deserved to be canceled because people liked it. It was canceled for the wrong reasons, you know? I was consumed with hate for about a year.
A lot of times I think the cast members, the lead characters in a show really set the tone for the show. On some shows, the stars of the show will just be whining and complaining and spending the whole time texting their boyfriends on their Blackberries, and there's just no attention given to the work.
There is no business like show business, Irving Berlin once proclaimed, and thirty years ago he may have been right, but not anymore. Nowadays almost every business is like show business, including politics, which has become more like show business than show business is.
That's what Letterman did. He mocked everything and everyone in show business, even though he was at the top of show business. He was in it but not really of it, and that's one thing I came to love about him. I mean, you can't sit there and interview Cher and pretend you're not in show business, but he managed to pull it off somehow.
I think there will be times where I need to be more serious, and I'll show that. I'll show an intensity that I think a lot of people can't really show or portray.
Well, the 'Giuliana & Bill' show is a little bit different because Giuliana and I are the executive producers of the show, so certainly we have a lot of control and we have total, I guess if we wanted to, editing power, but I will say, in the seven seasons we've done the show, we've never used our executive producer powers to cut something out.
Friends are hard to come by in L.A., especially in the entertainment industry. I've known a lot of people who hang out with someone because they're working on a show, and as soon as that show gets canceled, they find someone new.
There's variables at every single gig. I look forward to those every night. We have a lot of things that happen in our show, a lot of people from the outside watching the show might think it's one schtick after the next. We promised ourselves we have to be there mentally. We have to be aware. We are forced to be aware.
I don't think there's any show that really escapes it: It's very rare that a creative producer stays with the show. As soon as the producer leaves, they cut the budget.
I'm inordinately proud of Smash, on so many levels. The complexity of producing that show, every week, is just incredible. As a television producer and as a Broadway producer, which I once was, I am in awe of what we can do on that show, every week.
The reality of show business - and I suppose a lot of businesses, but specifically show business - is that it is this business of 'no's.' It's mostly 'no's.'
I've often talked about that, and I've been asked that a couple of times and my feeling are that if you have a good show, a bad host will not even hurt the show.
I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.
I was always in show business but in many ways was not really of show business. I didn't move in show business circles, particularly, still don't do it.
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