A Quote by Pete Holmes

I'm super happy to say that it's not that hard to write bad stand-up. I guess the trick is to write bad stand-up that sounds like you're trying to be good. — © Pete Holmes
I'm super happy to say that it's not that hard to write bad stand-up. I guess the trick is to write bad stand-up that sounds like you're trying to be good.
Stand-up life is really hard. At one point, I got so paralyzed I could write five screenplays before I could write three jokes for stand-up. Later, I've finally allowed myself to relax quite a bit, to think I can do it because I've done it in the past. The pressure to come up with the material is the same but the anxiety about whether I can do it is gone.
Somebody's gotta stand up and say pubic hair is good, murder is bad. Sex is good, violence is bad.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
It's just the garbage in/garbage out trick. If you're not taking any fiction in, good or bad, then how can you be spitting any back out (good or bad)? I can't even imagine trying to write without reading. Really, I can hardly write a novel at all if I'm not reading just book after book.
But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?".
And I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?"
People don't mind immoral messages. They don't mind art which says that murder is good, cruelty is good, sex for sex's sake is good. They like it, provided the message is wrapped up a little. And they like messages saying that murder is bad, cruelty is bad, and love is love is love is love. What they can't stand is to be told it all doesn't matter, they can't stand formlessness.
People need to stand up, women need to stand up for each other and say, "No you can't kick this person like they're a dog. You can disagree with someone politically, you can have arguments, definitely privilege needs to be discussed in real productive and valid ways. But it's not real criticism if it's just like, "you're a disgusting bad person."
I stand up for other people, I'm very protective of people around me. If I feel like somebody is getting a bad rap or being unfairly picked on, I will stand up for them, absolutely.
Everyone judges plays as if they were very easy to write. They don't know that it is hard to write a good play, and twice as hardand tortuous to write a bad one.
I loved working in stand-up, and I always dreamed that I could make a movie about it. I didn't know if I would have the courage to, because if you make a bad movie about stand-up, then comedians will mock you for the rest of your life. They're still mad about movies made 25 years ago. But it was always a dream of mine, and I was glad I finally came up with an idea that allowed me to explore it in such a way that it's not all about stand-up, but stand-up creates a great backdrop for another type of story.
When you're in Hollywood and you're a comedian, everybody wants you to do other things. All right, you're a stand-up comedian, can you write us a script? That's not fair. That's like if I worked hard to become a cook, and I'm a really good cook, they'd say, "OK, you're a cook. Can you farm?"
If I write badly about blacks, homosexuals and women, it is because of these who I met were that. There are many 'bads' - bad dogs, bad censorship; there are even 'bad' white males. Only, when you write about 'bad' white males, they don't complain about it. And need I say that there are 'good' blacks, 'good' homosexuals and 'good' women?
Being on the plane is my catch-up time. I write thank-you notes. I read. I write stand-up jokes.
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