A Quote by Pete Holmes

The beautiful thing about stand-up advice is that it applies to anybody, any gender, any race, any age. The best thing you can do - everybody will tell you - is get on stage as much as you can. I would add to that: get on stage as much as you can - with the people you admire.
When you first start out in stand-up and, probably, as any performer, you enjoy the attention so much, and even though that hasn't died down on stage, it certainly has satiated whatever was in me that was needing that much attention. When I'm off stage, it's not something that I really need.
The people at festivals are much more open to dance and just sing along. They come right up to the stage and they're very thankful. That's one thing I really appreciate about the yoga culture, that the people are very thankful. They come up to you as much as any fan would, but they express sincere gratitude and I appreciate that.
An improv artist's best instrument is their ability keep their antennae clean so they're able to receive what I call the connection to creativity. It's the thing that you see in any amazing moment that any human being is performing. Whether it's watching Michael Jordan navigating through all these attackers and then suddenly rising up and putting the ball in the most amazing way, or watching an actor on stage playing Shakespeare, but not thinking about the actor anymore or the stage or you or the chair, any of these kinds of moments of transcendence.
In golf, advice is not a big thing. If you don't have the ability, you won't get anywhere no matter how much advice you get. The only thing people can suggest that matters is, be a good person and treat people respectfully. But advice on your game doesn't mean much to me.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
I could never do stand-up because it's that thing of having to get up on stage. And out of every 10 jokes you tell, nine of them have to get a really good response.
Any smart executive understands that to find the best talent she has to explore new territory that lies beyond familiar geography. That applies not only to gender, but also to race, religion, background and age.
If there was one thing I tried to instil in my children as they were growing up, it was that you get nothing for nothing. You have to work hard to get any rewards. That applies in music or whatever you choose to do. The same goes in relationships; you will only get back what you put in.
If one takes a public stand against, say, most any sin you can think of, one is considered "courageous" and a "defender of the faith." Folks will quickly applaud you and tell you how much they admire you for "taking a stand" on biblical truth. Except if you quote Matt. 5:44 and invite people to apply it in any sort of meaningful, literal way. The moment one begins to talk about loving your enemies they all of a sudden become "liberals," "extremists," or are accused of completely taking an otherwise straight forward passage "out of context.
And you can't get away from a mirror if you stand in front of it all the time, right. But if you step away from it, you don't notice it any more. And that's what the stage is like for me. See, an image becomes meaningless in as much as it's always temporary.
I always had something to think about or draw from, which as an actor is a gift. The beautiful thing about film is that it gets so much closer than stage. I love stage and that's what I started doing and it's a beautiful art form in of itself, but in film you can move your eyes to the side and somehow the audience can fill in the blanks of what you're thinking.
...at this stage in the advancement of women the best policy for them is not to talk much about the abstract principles of women'srights but to do good work in any job they get, better work if possible than their male colleagues.
Working on any show that works is the best job you can possibly have in any area of the business. You've got so much going for you, a good community, everybody's hanging together, and you get to do it every week.
Stand-up used to be much more of a form combat. Heckling was much more common [in the '90s]. And I couldn't get stage time, and so I would go out to Pip's in Sheepshead Bay.
A lot of stand-up is talking about your perspective in the world and your experiences in life. And I think it takes any comedian a while to find out what their thing is, or what they feel good doing on stage.
With me being in so many pain from when you have a betrayal from your best friend - who was my husband - and the girl got pregnant, I couldn't even get out of bed. The only thing that saved me was my stand-up. I would get on stage and just talk about stuff, and I made people laugh. A lot of women e-mail me and say, 'How do you smile? How do you laugh at something like this?' That's how I do it. I laugh because that's how I get through pain.
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