A Quote by Pete Maravich

If I have a choice whether to do the show or throw a straight pass, and we're going to get the basket either way, I'm going to do the show. — © Pete Maravich
If I have a choice whether to do the show or throw a straight pass, and we're going to get the basket either way, I'm going to do the show.
It was scary. But it was so liberating. I thought, This is not predetermined - I get to choose. There are some days where I have to choose five times in a day. I had to make a choice when you called and the phone rang, whether I'm going to show up and be me, or whether I'm going to say what I think I'm supposed to say and get off the phone.
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
'Looking' was always a niche show for a niche within a niche. It's a gay-themed show, so you're not going to get millions of straight people watching it - that's the inevitability of it.
People say to me all the time, "I get my news from your show." And that isn't the way they should get their news. But the choice is not between getting their news the right way and getting their news from my show. The choice is that they won't get any at all unless you give it to them in an entertaining package.
My belief is whether I'm the starter, whether I'm the backup, I'm going to show up the same exact way. I'm going to prepare the same exact way, and I'll always be ready to go.
In my stories for children, I sometimes show a hard, harsh, dangerous world. I'm going to show you the way it is, but I'm going to also tell you that there's every reason to hope.
Ever since Steve Bannon was demoted, and drama started playing out between Bannon and Jared Kushner and the firing of Comey and "Is he going to get impeached?" we have been trapped in a classic Survivor reality TV show, like, "Who's going to get voted off the island?" And this has every single news show enjoying ratings never seen before. And it physically pains them to talk about the stakes of this administration, whether it's health care or climate change or the deregulation of the financial sector or social security. None of it can compete with this reality show.
They're making so few movies that you really just have to make it. It's going to be the only way you end up getting work. I don't believe anyone's going to really go out on a limb and just throw millions of dollars on someone that's not been proven. They're going to have to show somebody something at some point.
Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.
I think there's just some fundamental decisions at the beginning that are going to make it different. Our show The Right Now Show is going to be specifically different than Mr. Show because of the talent involved.
I'm working on a cooking show; I'm going to do some of it at Dallas Page's performance center. I'm going to do a cooking show called 'Dude Food,' where I show young guys how to eat good and clean, cheap.
If you want someone to show up and help you if something bad happens, you'd better tell someone where you're going. And of course I wanted someone to know - but I'd made a choice and it was a choice I was going to have to live with.
You never know when you're going to throw a no-hitter or if you're ever going to get the chance to do it. It's one of those deals where the ninth inning comes around; it's either going to be your night or just a complete game.
I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.
It's like the basket is an ocean and everything you throw up is going in. You get into that kind of groove, and it's all good.
Any time I approach a scene, it's not just what's on the page - it's how the camera's going to show or not show what's on the page. It's which character are we going to align with and what music is going to be playing.
This site uses cookies to ensure you get the best experience. More info...
Got it!