A Quote by Pete Postlethwaite

Whenever I get a good script, I don't care whether it's telly or theatre or big screen - I'm not bothered. — © Pete Postlethwaite
Whenever I get a good script, I don't care whether it's telly or theatre or big screen - I'm not bothered.
Small screen or big screen my job on set doesn't really change. The only difference with TV is I get to be surprised with new information just like the audience every time I get a script.
Software unification. So that I no longer care what computing device I pick up, whether it's a laptop or desktop, whether it's one I own or one in a public place, whether it has a small screen or a large screen.
And people are so het up about the fact I'm in the theatre - it's like, 'Ooh these telly names, can they be any good?' I came out of RADA and my first job was at the National Theatre, but everyone wonders if I can cope. It makes me laugh.
I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.
I can go into New York and sell out a theatre, but I didn't have to fight my way to get there: I was already a made man from television. I sold out a theatre in London without any TV exposure, just word of mouth and being a good comic, and that was a much bigger sense of accomplishment than just being a guy from telly.
I've been working on the screen right from childhood and am completely in love with my work. And this experience has taught me that ultimately, it's a good script, good work that matters, whether in Bollywood or in the South.
You can't fix a bad script after you start shooting. The problems on the page only get bigger as they move to the big screen.
A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
'Doctor Who' was my first telly job, and before that I did a lot of theatre in education, children's theatre.
In film you have the script months ahead of time often, for a good film, but in television it seems like you might not get the script until a week or two weeks before you've got to film it. It's a little weird, but also quite challenging. It reminds me of repertory theatre.
I see a ton of theatre whenever I'm not working to stay inspired. I love feeling like I'm a part of the theatre community and following the work of actors and writers I admire. I'm a big reader, too.
If it's funny or it's good, then yeah, I'll do it. Whether it's big-screen or whatever wouldn't be the deciding factor for me.
Finding a good script is really difficult and the scariest thing of all is when they say about a script that's not right, "we will fix it.." It's like before you get on the Titanic and you see a big hole. In process, it's too late.
Going to a theatre and watching yourself on the big screen is a nightmare.
My family was bothered because I was a graduate but didn't pursue a job. I used to spend the entire day doing theatre, and at that time, there was no money in theatre.
I just wanted to get on telly. I wasn't a massive Oasis fan, but I had to be in order to get on the telly.
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