A Quote by Pete Rock

Putting styles on lock, and making beats by the bundle,
Scooping more props than Bryant Gumbel...and staying humble. — © Pete Rock
Putting styles on lock, and making beats by the bundle, Scooping more props than Bryant Gumbel...and staying humble.
Bryant Gumbel's ego has applied for statehood. And if it's accepted, it will be the fifth-largest.
People like Bryant Gumbel and Bob Costas are terrific broadcasters because they get challenged every day.
Bryant Gumbel is thrilled about his CBS deal and can't wait to start alienating the staff of an entirely new network.
One of the best features of my career is that I have gotten to meet and work with some of the most stellar people in the business. From Tim Russert and Jim Lehrer to Bryant Gumbel, Andrea Mitchell and Judy Woodruff, I have learned from the leading lights.
I think the best comparable is Bryant Gumbel's "Real Sports," in the sense that it's quarterly as well. So that's what we're doing, a quarterly special, an hour, three to four stories each hour.
When Migos flew me out to see if I was actually making the beats, they didn't expect a white kid from Canada to be making harder beats than the guys in Atlanta. Being white in that environment, it was definitely different.
It's the way I enjoy making art - I like sitting down and making five beats; I enjoy that process. I can go two weeks without making a song and just making beats and I'll be OK.
In my view the bundle theorist should say that when a bundle is located somewhere, there is an 'instance' of the bundle there. The instance is entirely constituted by the universals of the bundle. But the bundle and the instance are two distinct entities. Bundles of universals can be multiply located, but their instances cannot, and particulars are instances of a bundle of universals.
It feels like there are two very different parts to making movies. There's the making of it and then there's the putting out of it - and I like the making of the movies a lot more than putting it out into the world.
I feel like Turbo helped me grow. It's the way we just lock in. His mind is set to where he'll start making beats to my flow and my sound. He's not an engineer, but he knows how to record.
Hip-hop has survived as a sonic practice more than anything else. It's an approach to music-making based in sampling and rhyming over beats, that's proven far more versatile than its detractors thought it would.
There's an open door now more than ever to be making any type of beats that you want.
One of the great things about being willing to try new things and make mistakes is that making mistakes keeps you humble. People who are humble learn more than people who are arrogant.
No one was more important to the game of baseball in the last half of the 20th century than Henry Aaron and no one writes about that supremely talented man, that tumultuous time and this treasure of a game better than Howard Bryant. Together, they are an extraordinary combination, and the book Bryant has written gets to the heart of the complicated and dignified, patient and consistent genuine hero that is Henry Aaron.
Though part of me had always wanted to be a comedian, another part of me had always wanted to be Bryant Gumbel or Dan Rather.
It's different from music because music is like going deep down into soul, like scooping out all the difficult, beautiful, messy stuff and putting it into songs. Writing is more like playing for me.
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