A Quote by Pete Seeger
Looking back, I think I tried to be too eclectic. Sometimes I'd sing thirty songs, and fifteen of them were not in English.
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I liked to think I had written 'scripts' when I was in high school, but looking back at them, they were about thirty pages of wannabe-Mamet dialogue with a staple through them.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.
Sometimes when I have an idea, and I say, 'Okay, let's - it will be great, maybe, if I sing in English, a couple of songs.' Now, the record company and everybody's like, 'No way, you have to sing in Spanish.' And that's, you know, really good for me.
Songs are great. I love songs. I sing them in the shower sometimes. They can be poignant or cheery or angry, and they can have catchy and satisfying melodies. There's nothing wrong with songs.
But what I realized when I was looking back at them was that no matter how different they are, they're still coming from me, and they're still coming from my brain and my set of obsessions. I think that no matter how different I tried to make them, there were just these certain questions that I just kept circling back to as I was writing. I think they were the ones I was really swept up in in that decade.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
The LUMS Olympiad back 10 years ago gave me a boost to sing songs where I first met with amazing Uzair Jaswal who did not sing cover songs but his original songs.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
I think I sing a few songs, and I sing them well, and one of them is the mob genre, you know, as a writer.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
I had all the material for a long time, but I was just too busy. Sometimes we'd sit around at home and sing some of these songs at family things, and everyone always said I should record them.
Fashion costs money, but songs are free. You can write them for free and you can sing them for free and they can infect those around you or the people from the future and they can sing them for free too.
I do sing in the car. I actually sing Britney Spears songs in the car - me and a close friend of mine. She lives in West Palm and I live in Miami, and when we're going back and forth to see each other, we sing: 'Oh, Baby Baby.' We sing all these 1990s songs. We're like two 14-year-old kids just having a good time.
Ever since I released my first album, I've tried not to use minor chords as the main element in songs. The way I sing is too melancholic.
I had no clue what I wanted to do. I tried nursing, I tried science, I tried English. I just kept bouncing back and forth.
I didn't have bands that I was playing with growing up, so I learned to try to adapt and play these songs that were guitar songs on the piano, and sing them.
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